Branko Ivanda (b. 1941)

Birthplace:
Split, Croatia

Born:
December 25, 1941

Branko Ivanda (born 25 December 1941) is Croatian film director and screenwriter.  Ivanda was born in Split, then under Italian occupation. His father Leo was a high-school professor of Croatian and French language and his mother Dunja a clerk. The family had artistic leanings, as Ivanda's grandfather was an actor in the Croatian National Theatre in Split (HNK), while his uncle-in-law was composer Ivo Tijardović. Ivanda completed the classical gymnasium in his hometown, occasionally playing minor roles in the HNK, but as he preferred directing, he entered the Academy of Dramatic Arts of the University of Zagreb where he graduated.  His directing debut was 1969 modernist piece Gravitacija ili fantastična mladost činovnika Borisa Horvata. Following the ban of his documentary about 1971 student demonstrations Poezija i revolucija - studentski štrajk 1971, in the 1970s he focused on television, where he would direct films, dramas, documentary and advertising films for over thirty years. He also accepted occasional theater projects. For his TV and fiction films he received several awards, notably FIPRESCI from the Berlin Film Festival. He has been a dean of the Academy of Dramatic Arts in Zagreb since 2004.  Ivanda married twice: from the first marriage with Stanka, he had son Nikola, who was also a director and Branko's close assistant in multiple TV projects, such as popular series Obični ljudi, Ponos Ratkajevih, Sve će biti dobro and Dolina sunca. Nikola died from heart attack in 2012 at age 36. From his second marriage with producer Lidija he has two children.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.