A work in constant progress (and occasional regress).
Mike Attie is a filmmaker and educator based in Philadelphia, PA. His recent shorts include ABORTION HELPLINE, THIS IS LISA (Sundance 2020, AFI Docs 2020 Grand Jury Short Award) and MOMENT TO MOMENT (FULL FRAME 2019, IFFB 2019 Special Jury Award). Mike's feature documentary, IN COUNTRY (co-directed with Meghan O'Hara), had its world premiere at the Full Frame Documentary Film Festival and international premiere at Hot Docs in Toronto. The film was supported by the Sundance Documentary Film Program, IFP and numerous Seattle arts foundations. Since the premiere IN COUNTRY received extensive press including an NYTimes Op-Doc and articles in Salon and the Atlantic. Mike's other award-winning short documentaries have shown at major film festivals including AFI/SilverDocs, San Francisco International and the Black Maria Film + Video Festival. Mike is a 2014 Sundance Documentary Film Program Fellow and was named as one of The Independent's "10 Filmmakers to Watch in 2014". Currently he is an assistant professor at the University of the Arts and program director of the Film major. Learn more here. Mike lives in Philadelphia with his wife, two children, two cats and various ailing houseplants.
Director:
2015 In Country
2019 Abortion Helpline, This Is Lisa
2021 The Field Trip
Director of Photography:
2015 In Country
2019 Abortion Helpline, This Is Lisa
2021 The Field Trip
Producer:
2015 In Country
2019 Abortion Helpline, This Is Lisa
2021 The Field Trip
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.