A work in constant progress (and occasional regress).
Art Direction:
1948 Le diamant de cent sous
1961 À rebrousse-poil
Production Design:
1923 La Légende de sœur Béatrix
1925 La terre promise
1938 Si tu reviens
1942 Love Letters
1944 Children of Chaos
1945 Bifur 3
1947 A Cop
1948 Le diamant de cent sous
1950 Jamaican Man
1951 Poison
1952 Das Geheimnis vom Bergsee
1952 The Girl with the Whip
1953 Koenigsmark
1953 The Lovers of Midnight
1961 À rebrousse-poil
Set Decoration:
1923 La Légende de sœur Béatrix
1925 La terre promise
1938 Si tu reviens
1939 Métropolitain
1941 Montmartre on the Seine
1942 Love Letters
1944 Children of Chaos
1945 Bifur 3
1947 A Cop
1948 Le diamant de cent sous
1950 Jamaican Man
1951 Poison
1952 Das Geheimnis vom Bergsee
1952 The Girl with the Whip
1953 Koenigsmark
1953 The Lovers of Midnight
1961 À rebrousse-poil
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.