Luc de Heusch (1927-2012)

Gallery Unavailable

Birthplace:
Brussels, Belgium

Born:
May 7, 1927

Died:
August 7, 2012

Luc de Heusch (7 May 1927 – 7 August 2012) was a Belgian filmmaker, writer, and anthropologist, professor emeritus at the Université libre de Bruxelles . His 1967 film Thursday We Shall Sing Like Sunday was entered into the 5th Moscow International Film Festival.  Luc de Heusch began his career in film in 1947 as assistant to Henri Storck . From 1949 to 1951 he lived in an artists' commune, the Ateliers du Marais. In 1951, under the pseudonym Luc Zangrie , he directed Perséphone , the only film produced by the CoBrA artistic movement.  In 1953 and 1954 he carried out anthropological fieldwork in the Belgian Congo and Ruanda-Urundi . Like Henri Storck and Charles Dekeukeleire , he also made documentary films about the Congo.  From 1955 to 1992 he was professor of social and cultural anthropology at the Free University of Brussels , later Université libre de Bruxelles.

Additional information:

The Search Form


Dialogue:
1967  Thursday We Shall Sing Like Sunday

Director:
1951  Perséphone
1957  Michel de Ghelderode
1958  Gestes du repas
1960  Magritte or the Object Lesson
1961  Les amis du plaisir
1967  Thursday We Shall Sing Like Sunday
1968  Libre examen 1968
1970  Alechinsky d'après nature
1972  Dotremont-les-logogrammes
1984  In the Footsteps of the Pale Fox
1990  I’m Crazy, I’m Foolish, I’m Nasty
1995  Une république devenue folle
2004  Ostende 1930
2023  Burial among the Tetela
2023  Lotoko
2023  Nkumi, everyday life

Editor:
1951  Perséphone
1957  Michel de Ghelderode
1958  Gestes du repas
1960  Magritte or the Object Lesson
1961  Les amis du plaisir
1967  Thursday We Shall Sing Like Sunday
1968  Libre examen 1968
1970  Alechinsky d'après nature
1972  Dotremont-les-logogrammes
1984  In the Footsteps of the Pale Fox
1990  I’m Crazy, I’m Foolish, I’m Nasty
1995  Une république devenue folle
2004  Ostende 1930
2023  Burial among the Tetela
2023  Lotoko
2023  Nkumi, everyday life

Screenplay:
1951  Perséphone
1957  Michel de Ghelderode
1958  Gestes du repas
1960  Magritte or the Object Lesson
1961  Les amis du plaisir
1967  Thursday We Shall Sing Like Sunday
1968  Libre examen 1968
1970  Alechinsky d'après nature
1972  Dotremont-les-logogrammes
1984  In the Footsteps of the Pale Fox
1990  I’m Crazy, I’m Foolish, I’m Nasty
1995  Une république devenue folle
2004  Ostende 1930
2023  Burial among the Tetela
2023  Lotoko
2023  Nkumi, everyday life

Writer:
1951  Perséphone
1957  Michel de Ghelderode
1958  Gestes du repas
1960  Magritte or the Object Lesson
1961  Les amis du plaisir
1967  Thursday We Shall Sing Like Sunday
1968  Libre examen 1968
1970  Alechinsky d'après nature
1972  Dotremont-les-logogrammes
1984  In the Footsteps of the Pale Fox
1990  I’m Crazy, I’m Foolish, I’m Nasty
1995  Une république devenue folle
2004  Ostende 1930
2023  Burial among the Tetela
2023  Lotoko
2023  Nkumi, everyday life

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.