A work in constant progress (and occasional regress).
Birthplace:
Brussels, Belgium
Born:
May 7, 1927
Died:
August 7, 2012
Luc de Heusch (7 May 1927 – 7 August 2012) was a Belgian filmmaker, writer, and anthropologist, professor emeritus at the Université libre de Bruxelles . His 1967 film Thursday We Shall Sing Like Sunday was entered into the 5th Moscow International Film Festival. Luc de Heusch began his career in film in 1947 as assistant to Henri Storck . From 1949 to 1951 he lived in an artists' commune, the Ateliers du Marais. In 1951, under the pseudonym Luc Zangrie , he directed Perséphone , the only film produced by the CoBrA artistic movement. In 1953 and 1954 he carried out anthropological fieldwork in the Belgian Congo and Ruanda-Urundi . Like Henri Storck and Charles Dekeukeleire , he also made documentary films about the Congo. From 1955 to 1992 he was professor of social and cultural anthropology at the Free University of Brussels , later Université libre de Bruxelles.
Dialogue:
1967 Thursday We Shall Sing Like Sunday
Director:
1951 Perséphone
1957 Michel de Ghelderode
1958 Gestes du repas
1960 Magritte or the Object Lesson
1961 Les amis du plaisir
1967 Thursday We Shall Sing Like Sunday
1968 Libre examen 1968
1970 Alechinsky d'après nature
1972 Dotremont-les-logogrammes
1984 In the Footsteps of the Pale Fox
1990 I’m Crazy, I’m Foolish, I’m Nasty
1995 Une république devenue folle
2004 Ostende 1930
2023 Burial among the Tetela
2023 Lotoko
2023 Nkumi, everyday life
Editor:
1951 Perséphone
1957 Michel de Ghelderode
1958 Gestes du repas
1960 Magritte or the Object Lesson
1961 Les amis du plaisir
1967 Thursday We Shall Sing Like Sunday
1968 Libre examen 1968
1970 Alechinsky d'après nature
1972 Dotremont-les-logogrammes
1984 In the Footsteps of the Pale Fox
1990 I’m Crazy, I’m Foolish, I’m Nasty
1995 Une république devenue folle
2004 Ostende 1930
2023 Burial among the Tetela
2023 Lotoko
2023 Nkumi, everyday life
Screenplay:
1951 Perséphone
1957 Michel de Ghelderode
1958 Gestes du repas
1960 Magritte or the Object Lesson
1961 Les amis du plaisir
1967 Thursday We Shall Sing Like Sunday
1968 Libre examen 1968
1970 Alechinsky d'après nature
1972 Dotremont-les-logogrammes
1984 In the Footsteps of the Pale Fox
1990 I’m Crazy, I’m Foolish, I’m Nasty
1995 Une république devenue folle
2004 Ostende 1930
2023 Burial among the Tetela
2023 Lotoko
2023 Nkumi, everyday life
Writer:
1951 Perséphone
1957 Michel de Ghelderode
1958 Gestes du repas
1960 Magritte or the Object Lesson
1961 Les amis du plaisir
1967 Thursday We Shall Sing Like Sunday
1968 Libre examen 1968
1970 Alechinsky d'après nature
1972 Dotremont-les-logogrammes
1984 In the Footsteps of the Pale Fox
1990 I’m Crazy, I’m Foolish, I’m Nasty
1995 Une république devenue folle
2004 Ostende 1930
2023 Burial among the Tetela
2023 Lotoko
2023 Nkumi, everyday life
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.