A work in constant progress (and occasional regress).
Farida Benlyazid (born March 18, 1948, Tangier, Morocco) is a Moroccan scriptwriter, producer, production manager, novelist, and director. She began working in the field of cinema and cinematic production in the seventies. According to Sandra Gayle Carter, author of What Moroccan Cinema? : A Historical and Critical Study, Benlyazid continues to be one of the few Moroccan women in the field. From the start of her career up until 2003, she was the only female filmmaker in Morocco. Benlyazid's films, novel adaptations, documentaries and scripts have garnered much international recognition. She has become known for representing the struggles and obstacles faced by Moroccan women and incorporating her own personal experiences into her scripts and films. Carter further states that the relationships between gender, society, and religion are articulated in Benlyazid's work, which represents women as multi-dimensional and individualist, each defined by their own age, class, and personal and cultural upbringing.
Director:
1989 A Door to the Sky
1995 Five Films for a Hundred Years
1999 Women's Wiles
2000 Niya Taghlab
2002 Casablanca, Casablanca
2005 The Wretched Life of Juanita Narboni
2007 Casanayda!
2013 Frontiers
Scenario Writer:
1989 A Door to the Sky
1995 Five Films for a Hundred Years
1999 Women's Wiles
2000 Niya Taghlab
2002 Casablanca, Casablanca
2005 The Wretched Life of Juanita Narboni
2007 Casanayda!
2013 Frontiers
Screenplay:
1989 A Door to the Sky
1995 Five Films for a Hundred Years
1999 Women's Wiles
2000 Niya Taghlab
2002 Casablanca, Casablanca
2005 The Wretched Life of Juanita Narboni
2007 Casanayda!
2013 Frontiers
Writer:
1989 A Door to the Sky
1989 Badis
1993 In Search of My Wife's Husband
1995 Five Films for a Hundred Years
1999 Women's Wiles
2000 Niya Taghlab
2002 Casablanca, Casablanca
2005 The Wretched Life of Juanita Narboni
2007 Casanayda!
2013 Frontiers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.