A work in constant progress (and occasional regress).
Birthplace:
Saint-Marc-sur-Mer, Loire-Atlantique, France
Dialogue Editor:
2019 The Wolf's Call
Director:
2008 Inventory
2019 The Wolf's Call
Music:
2008 Inventory
2019 The Wolf's Call
2022 Jane Campion, The Cinema Woman
2022 Love Life
Sound:
2006 Noise
2006 The Untouchable
2008 Inventory
2008 School's Out
2013 Here Comes the Train
2016 A Decent Man
2019 A Girl Missing
2019 Casanova, Last Love
2019 The Wolf's Call
2022 Jane Campion, The Cinema Woman
2022 Love Life
Sound Designer:
2006 Noise
2006 The Untouchable
2008 Inventory
2008 School's Out
2013 Here Comes the Train
2016 A Decent Man
2019 A Girl Missing
2019 Casanova, Last Love
2019 The Wolf's Call
2022 Jane Campion, The Cinema Woman
2022 Love Life
2023 Orlando, My Political Biography
Sound Editor:
1998 The Shooting on Mole Street
2002 Demonlover
2006 Noise
2006 The Untouchable
2008 Inventory
2008 School's Out
2013 Here Comes the Train
2014 Still the Water
2016 A Decent Man
2016 Jeffrey
2019 A Girl Missing
2019 Casanova, Last Love
2019 The Wolf's Call
2021 H24 - 08:00: 10cm Above Ground
2022 Jane Campion, The Cinema Woman
2022 Love Life
2023 Orlando, My Political Biography
Sound Mixer:
1998 The Shooting on Mole Street
2002 Demonlover
2006 Noise
2006 The Untouchable
2008 Inventory
2008 School's Out
2008 The Beaches of Agnès
2012 Laurence Anyways
2013 Here Comes the Train
2014 Broken Ceilings
2014 Still the Water
2016 A Decent Man
2016 Jeffrey
2017 Faces Places
2017 Radiance
2019 A Girl Missing
2019 Casanova, Last Love
2019 The Wolf's Call
2020 Adolescents
2020 In the Bottle
2021 H24 - 08:00: 10cm Above Ground
2021 Lucienne in a World Without Solitude
2021 Memory Box
2021 Suzanna Andler
2021 The Magic Flute
2022 By Heart
2022 Jane Campion, The Cinema Woman
2022 Love Life
2022 Pink, Black and Blue
2023 Orlando, My Political Biography
Sound Re-Recording Mixer:
1998 The Shooting on Mole Street
2002 Demonlover
2006 Noise
2006 The Untouchable
2008 Inventory
2008 School's Out
2008 The Beaches of Agnès
2011 War of the Buttons
2012 Laurence Anyways
2013 Here Comes the Train
2014 Broken Ceilings
2014 Still the Water
2014 Tom at the Farm
2015 Sweet Bean
2016 A Decent Man
2016 Jeffrey
2016 Marseille
2016 Personal Shopper
2016 Things to Come
2017 Faces Places
2017 Radiance
2018 Eva
2019 A Girl Missing
2019 Casanova, Last Love
2019 Particles
2019 Real Love
2019 The Wolf's Call
2020 Adolescents
2020 In the Bottle
2021 H24 - 08:00: 10cm Above Ground
2021 Lucienne in a World Without Solitude
2021 Memory Box
2021 Suzanna Andler
2021 The Divide
2021 The Magic Flute
2021 The Man in the Basement
2022 By Heart
2022 Jane Campion, The Cinema Woman
2022 Love Life
2022 Pink, Black and Blue
2023 Anatomy of a Fall
2023 Orlando, My Political Biography
2024 Foreign Language
2024 Making Of
Sound:
2022 Irma Vep
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.