A work in constant progress (and occasional regress).
Alias:
Ko Meng-Jung
柯孟融
Birthplace:
Taipei, Taiwan
Born:
October 27, 1983
Taiwanese filmmaker Kevin Ko came to prominence for a series of short films he made in college, including horror The Print that screened at festivals in Japan and South Korea. He made his directorial debut with 2009 slasher-horror Invitation Only, which pushed the boundaries of good taste in Taiwan cinema with its fast cars, dismemberment and a Japanese adult video actress. Invitation Only competed in PiFan and Brussels International Fantastic Film Festival.
Director:
2007 So Close
2009 Invitation Only
2018 Dude's Manual
2020 A Choo
2022 Incantation
Director of Photography:
2007 So Close
2009 Invitation Only
2018 Dude's Manual
2020 A Choo
2022 Incantation
2022 The Remains
Editor:
2007 So Close
2009 Invitation Only
2018 Dude's Manual
2020 A Choo
2022 Incantation
2022 The Remains
Producer:
2007 So Close
2009 Invitation Only
2018 Dude's Manual
2020 A Choo
2022 Incantation
2022 The Remains
Writer:
2007 So Close
2009 Invitation Only
2018 Dude's Manual
2020 A Choo
2022 Incantation
2022 The Remains
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.