A work in constant progress (and occasional regress).
Alias:
Lawrence E. Williams
Lawrence Edward Williams
Lawrence Williams
Birthplace:
Pennsylvania, USA
Born:
May 24, 1889
Died:
March 30, 1956
Larry Williams (born Lawrence Edward Williams) was a photographer who became a cameraman with the Thanhouser Company. It's not known exactly when he started with them, though is known that he was there as early as 1912. He was the first cameraman - in 1914 - to use a stereoscopic camera system, which he installed in a Pathe camera and used in a Mary Pickford production. In 1915 he worked for Famous Players, but returned to Thanhouser in that same year. However, the next year he left Thanhouser to work for Box Office Attractions (later to become Fox Films, which itself became 20th Century-Fox), only to return to Thanhouser again. In April of that year his brother, Famous Players cinematographer Emmett A. Williams, died and Larry left Thanhouser to take his brother's place at Famous Players. He later worked for Artcraft Pictures. Williams stayed active in the film industry until shortly before his death on March 30, 1956 in Hollywood, California.
Camera Operator:
1918 Marriage
1918 Out of the Night
1937 Hockshop Blues
Cinematography:
1918 Marriage
1918 Out of the Night
1926 'Morning, Judge
1937 Hockshop Blues
Director:
1918 Marriage
1918 Out of the Night
1926 'Morning, Judge
1937 Hockshop Blues
1955 Golden Glamour
Director of Photography:
1915 Inspiration
1916 The Traveling Salesman
1917 Heart's Desire
1918 Marriage
1918 Out of the Night
1919 Impossible Catherine
1921 The Family Closet
1926 'Morning, Judge
1930 Follow the Leader
1930 The Sap from Syracuse
1930 Young Man of Manhattan
1931 Tarnished Lady
1931 The Girl Habit
1935 The Crime of Doctor Crespi
1937 Hockshop Blues
1938 Styles and Smiles
1939 Tevye
1940 Overture to Glory
1955 Golden Glamour
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.