A work in constant progress (and occasional regress).
Alias:
Ajitesh Banerjee
Ajitesh Bannerjee
অজিতেশ বন্দ্যোপাধ্যায়
Birthplace:
Ropogram, Purulia District, West Bengal, India
Born:
September 30, 1933
Died:
October 13, 1983
Ajitesh Bandopadhyay (30 September 1933 ― 13 October 1983) was an Indian actor, playwright, activist and director. He along with Shambhu Mitra and Utpal Dutt are considered to be the doyens of Bengali theatre of the post-independence era. Before joining Nandikar, he had been in close touch with the IPTA (Indian Peoples' Theatre Association) and was both directing and performing a number of its stage productions. While with Nandikar, Ajitesh along with Rudraprasad Sengupta, Asit Bandopadhyay, and Keya Chakrabarty, staged and performed many successful plays - mostly adaptations of Chekhov, Sophocles, Luigi Pirandello, and such stalwarts; of these, few like Antigone, Teen Poysar Pala (adapted from Three Penny Opera), Manjari Aamer Manjari (adapted from Cherry Orchard) not only drew large audiences but created milestones of success even at the national level. Plays like Bhalomanusher Pala and Sher Afgan met with the same success. As a recognition of his directorial ventures and contribution to theatre, he was honored with the Sangeet Natak Academy Award in 1976 at the age of 42, one of the youngest recipients of this nationally prestigious award. In the early 1970s, he was described by none other than Sombhu Mitra as the "most powerful performer of the Bengal theatre in current times". In 1977, he left Nandikar and formed his theatrical group Nandimukh through which he continued his stage productions and performances with equal aplomb.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.