A work in constant progress (and occasional regress).
Art Direction:
1933 ...und es leuchtet die Pußta
1935 Ball at the Savoy
1935 Villa for Sale
1937 Hotel Sunrise
1938 Young Noszty and Mary Toth
Production Design:
1930 There's Only One Girl in the World
1933 ...und es leuchtet die Pußta
1933 Racoczy-Marsch
1934 Peter
1934 Purple Lilacs
1935 Ball at the Savoy
1935 Four and a Half Musketeers
1935 Love Whispers
1935 Miss President
1935 The New Landlord
1935 The Ugly Girl
1935 Villa for Sale
1936 Man of Gold
1936 Where the Lark Sings
1937 Hotel Sunrise
1937 Sister Maria
1937 Tales of Budapest
1938 Ihr Leibhusar
1938 Marika
1938 Young Noszty and Mary Toth
1939 The Five-Forty
1940 Sarajevo
1941 At Last
Set Decoration:
1930 There's Only One Girl in the World
1933 ...und es leuchtet die Pußta
1933 Racoczy-Marsch
1934 Peter
1934 Purple Lilacs
1935 Ball at the Savoy
1935 Four and a Half Musketeers
1935 Little Mother
1935 Love Whispers
1935 Miss President
1935 The New Landlord
1935 The Ugly Girl
1935 Villa for Sale
1936 Man of Gold
1936 Where the Lark Sings
1937 Hotel Sunrise
1937 Sister Maria
1937 Tales of Budapest
1938 Ihr Leibhusar
1938 Marika
1938 Young Noszty and Mary Toth
1939 The Five-Forty
1940 Sarajevo
1941 At Last
Set Designer:
1930 There's Only One Girl in the World
1933 ...und es leuchtet die Pußta
1933 Racoczy-Marsch
1934 Peter
1934 Purple Lilacs
1935 Ball at the Savoy
1935 Four and a Half Musketeers
1935 Little Mother
1935 Love Whispers
1935 Miss President
1935 The New Landlord
1935 The Ugly Girl
1935 Villa for Sale
1936 Man of Gold
1936 Where the Lark Sings
1937 Hotel Sunrise
1937 Sister Maria
1937 Tales of Budapest
1938 Ihr Leibhusar
1938 Marika
1938 The Sun Shines
1938 Young Noszty and Mary Toth
1939 The Five-Forty
1940 Sarajevo
1941 At Last
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.