A work in constant progress (and occasional regress).
Cinematography:
2012 Ishma
Director:
2006 Rigodon
2008 Room 213
2012 Himala Ngayon
2012 Ishma
2013 Woman of the Ruins
2014 Blade of the Maiden
2014 Komikero Chronicles
2017 History of the Underground
2018 Alimuom
Editor:
2006 Rigodon
2008 Room 213
2012 Himala Ngayon
2012 Ishma
2013 The Guerilla is a Poet
2013 Woman of the Ruins
2014 Blade of the Maiden
2014 Komikero Chronicles
2015 Dahling Nick
2017 History of the Underground
2018 Alimuom
Executive Producer:
2006 Rigodon
2008 Room 213
2012 Himala Ngayon
2012 Ishma
2013 The Guerilla is a Poet
2013 Woman of the Ruins
2014 Blade of the Maiden
2014 Komikero Chronicles
2015 Dahling Nick
2017 History of the Underground
2018 Alimuom
Producer:
2006 Rigodon
2008 Room 213
2012 Himala Ngayon
2012 Ishma
2013 The Guerilla is a Poet
2013 Woman of the Ruins
2014 Blade of the Maiden
2014 Komikero Chronicles
2015 Dahling Nick
2017 History of the Underground
2018 Alimuom
Screenplay:
2006 Rigodon
2008 Room 213
2012 Himala Ngayon
2012 Ishma
2013 The Guerilla is a Poet
2013 Woman of the Ruins
2014 Blade of the Maiden
2014 Komikero Chronicles
2015 Dahling Nick
2017 History of the Underground
2018 Alimuom
Script Consultant:
2006 Rigodon
2008 Room 213
2012 Himala Ngayon
2012 Ishma
2013 The Guerilla is a Poet
2013 Woman of the Ruins
2014 Blade of the Maiden
2014 Komikero Chronicles
2015 Dahling Nick
2017 History of the Underground
2018 Alimuom
2024 Concrete Conflicts
Writer:
2006 Rigodon
2008 Room 213
2012 Himala Ngayon
2012 Ishma
2013 The Guerilla is a Poet
2013 Woman of the Ruins
2014 Blade of the Maiden
2014 Komikero Chronicles
2015 Dahling Nick
2017 History of the Underground
2018 Alimuom
2024 Concrete Conflicts
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.