A work in constant progress (and occasional regress).
Conductor:
1984 One Hundred Days in Palermo
Music:
1961 Etude
1965 Living & Glorious
1968 Hermitage
1969 His Day of Glory
1971 The Minotaur Mask
1972 Call of the Vampire
1977 Bene! Quattro diversi modi di morire in versi: Majakovskij-Blok-Esènin-Pasternak
1984 One Hundred Days in Palermo
Music Supervisor:
1961 Etude
1965 Living & Glorious
1968 Hermitage
1969 Attraction
1969 His Day of Glory
1971 The Minotaur Mask
1972 Call of the Vampire
1977 Bene! Quattro diversi modi di morire in versi: Majakovskij-Blok-Esènin-Pasternak
1984 One Hundred Days in Palermo
Original Music Composer:
1961 Etude
1965 Living & Glorious
1968 Hermitage
1969 Attraction
1969 His Day of Glory
1969 Under the Sign of Scorpio
1970 Al Fatah - Palestina
1970 Il sasso in bocca
1971 The Minotaur Mask
1972 Call of the Vampire
1977 Bene! Quattro diversi modi di morire in versi: Majakovskij-Blok-Esènin-Pasternak
1984 One Hundred Days in Palermo
Sound:
1961 Etude
1965 Living & Glorious
1968 Hermitage
1969 Attraction
1969 His Day of Glory
1969 Sierra Maestra
1969 Under the Sign of Scorpio
1970 Al Fatah - Palestina
1970 Il sasso in bocca
1971 The Minotaur Mask
1972 Call of the Vampire
1977 Bene! Quattro diversi modi di morire in versi: Majakovskij-Blok-Esènin-Pasternak
1984 One Hundred Days in Palermo
Sound Engineer:
1961 Etude
1965 Living & Glorious
1968 Hermitage
1969 Attraction
1969 His Day of Glory
1969 Sierra Maestra
1969 Under the Sign of Scorpio
1970 Al Fatah - Palestina
1970 Il sasso in bocca
1971 The Minotaur Mask
1972 Call of the Vampire
1977 Bene! Quattro diversi modi di morire in versi: Majakovskij-Blok-Esènin-Pasternak
1984 One Hundred Days in Palermo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.