Paul Middleditch

Gallery Unavailable

Paul Middleditch has directed four feature films to date and is regarded as one of the top performance/action TV Commercial Directors in the world. He is Australasia's most awarded commercials Director, having over 300, with 8 Cannes Lions, 4 of which are gold, and numerous International and National awards to his credit. He was recently ranked 8th Best Commercial Director of all time, based on Lüzer's Archive. He has continually upheld a Number One Director World Ranking on Best Ads on TV, with Carlton Draught's 'Big Ad' being awarded the Best Beer Ad of All Time. His work has featured at the Super Bowl for 6 consecutive years and he is one of the few Australian creatives to have appeared on the cover of Shots Magazine.  At the age of 19, Middleditch's first short film 'Light of the Blade' won Best Direction at the Clermont-Ferrand International Film Festival. His first feature film, Terra Nova, won the first film prize in Montreal in 1999, won Best of Festival at the Edinburgh Film Festival and went on to screen at over thirty festivals worldwide.  His second feature, A Cold Summer, premiered in competition at the Rotterdam Film Festival, and earned him an Australian Film Institute nomination for Best Director. In 2009, Middleditch completed his third feature, Separation City, a dramatic comedy starring Joel Edgerton, Rhona Mitra and Thomas Kretschmann, which was nominated for 4 QANTAS Awards. His first American feature film for Lionsgate titled Rapture Palooza was released in 2013, starring Anna Kendrick and Craig Robinson.  Paul is represented for commercials by Plaza Films in Australasia and aWHITELABELproduct in the USA, as well as Paradigm Talent Agency for films.

Additional information:

The Search Form


Director:
1999  Terra Nova
2003  A Cold Summer
2009  Separation City
2013  Rapture-Palooza
2023  Uproar

Writer:
1999  Terra Nova
2003  A Cold Summer
2009  Separation City
2013  Rapture-Palooza
2023  Uproar

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.