A work in constant progress (and occasional regress).
Alias:
Alfonso Coronel Vega
Colorist:
2023 Refuge
Director:
2012 Come Back Springtime
2013 The Watchmaker
2019 Before Entering, Let Out
2022 Imagen y semejanza
2023 Refuge
Editor:
2012 Come Back Springtime
2013 The Watchmaker
2019 Before Entering, Let Out
2022 Imagen y semejanza
2023 Refuge
Post Producer:
2012 Come Back Springtime
2013 The Watchmaker
2018 Rita, the documentary
2019 Before Entering, Let Out
2022 Imagen y semejanza
2023 Refuge
Post Production Coordinator:
2012 Come Back Springtime
2013 The Watchmaker
2018 Rita, the documentary
2019 Before Entering, Let Out
2022 Imagen y semejanza
2022 Now That We Are Together
2023 Refuge
Post-Production Manager:
2012 Come Back Springtime
2013 The Watchmaker
2018 Rita, the documentary
2019 Before Entering, Let Out
2022 Imagen y semejanza
2022 Now That We Are Together
2023 Refuge
???? Eden Subverted
Producer:
2012 Come Back Springtime
2013 The Watchmaker
2018 Rita, the documentary
2019 Before Entering, Let Out
2022 Imagen y semejanza
2022 Now That We Are Together
2023 Refuge
???? Eden Subverted
Production Design:
2012 Come Back Springtime
2013 The Watchmaker
2018 Rita, the documentary
2019 Before Entering, Let Out
2022 Imagen y semejanza
2022 Now That We Are Together
2023 Refuge
???? Eden Subverted
Production Designer:
2012 Come Back Springtime
2013 The Watchmaker
2018 Rita, the documentary
2019 Before Entering, Let Out
2022 Go with Grace
2022 Imagen y semejanza
2022 Now That We Are Together
2023 Refuge
???? Eden Subverted
Screenplay:
2012 Come Back Springtime
2013 The Watchmaker
2018 Rita, the documentary
2019 Before Entering, Let Out
2022 Go with Grace
2022 Imagen y semejanza
2022 Now That We Are Together
2023 Refuge
???? Eden Subverted
Set Dresser:
2012 Come Back Springtime
2013 The Watchmaker
2018 Rita, the documentary
2018 Small Town P.D.
2019 Before Entering, Let Out
2022 Go with Grace
2022 Imagen y semejanza
2022 Now That We Are Together
2023 Refuge
???? Eden Subverted
Sound Designer:
2012 Come Back Springtime
2013 The Watchmaker
2018 Rita, the documentary
2018 Small Town P.D.
2019 Before Entering, Let Out
2022 Go with Grace
2022 Imagen y semejanza
2022 Now That We Are Together
2023 Refuge
???? Eden Subverted
Sound Mixer:
2012 Come Back Springtime
2013 The Watchmaker
2018 Rita, the documentary
2018 Small Town P.D.
2019 Before Entering, Let Out
2022 Go with Grace
2022 Imagen y semejanza
2022 Now That We Are Together
2023 Refuge
???? Eden Subverted
Standby Property Master:
2012 Come Back Springtime
2013 The Watchmaker
2018 Rita, the documentary
2018 Small Town P.D.
2019 Before Entering, Let Out
2019 Peeps
2022 Go with Grace
2022 Imagen y semejanza
2022 Now That We Are Together
2023 Refuge
???? Eden Subverted
Writer:
2012 Come Back Springtime
2013 The Watchmaker
2018 Rita, the documentary
2018 Small Town P.D.
2019 Before Entering, Let Out
2019 Peeps
2022 Go with Grace
2022 Imagen y semejanza
2022 Now That We Are Together
2023 Refuge
???? Eden Subverted
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.