A work in constant progress (and occasional regress).
Alias:
Maris Jansons
Camera Operator:
1996 The Halfback of Notre Dame
Cinematography:
1996 The Halfback of Notre Dame
Director of Photography:
1989 Bionic Showdown: The Six Million Dollar Man and the Bionic Woman
1996 The Halfback of Notre Dame
1996 The Prisoner of Zenda, Inc.
Gaffer:
1981 Quest for Fire
1984 Hockey Night
1989 Bionic Showdown: The Six Million Dollar Man and the Bionic Woman
1996 The Halfback of Notre Dame
1996 The Prisoner of Zenda, Inc.
Grip:
1981 Quest for Fire
1981 Scanners
1982 Taxi!
1984 Hockey Night
1989 Bionic Showdown: The Six Million Dollar Man and the Bionic Woman
1996 The Halfback of Notre Dame
1996 The Prisoner of Zenda, Inc.
Key Grip:
1979 Fast Company
1979 The Brood
1981 Quest for Fire
1981 Scanners
1982 Taxi!
1983 Baby It's You
1983 The Dead Zone
1983 Videodrome
1984 Hockey Night
1984 Reckless
1989 Bionic Showdown: The Six Million Dollar Man and the Bionic Woman
1996 The Halfback of Notre Dame
1996 The Prisoner of Zenda, Inc.
Production Manager:
1976 Devil's Express
1979 Fast Company
1979 The Brood
1981 Quest for Fire
1981 Scanners
1982 Taxi!
1983 Baby It's You
1983 The Dead Zone
1983 Videodrome
1984 Hockey Night
1984 Reckless
1989 Bionic Showdown: The Six Million Dollar Man and the Bionic Woman
1996 The Halfback of Notre Dame
1996 The Prisoner of Zenda, Inc.
Second Unit Director of Photography:
1976 Devil's Express
1979 Fast Company
1979 The Brood
1981 Quest for Fire
1981 Scanners
1982 Taxi!
1983 Baby It's You
1983 The Dead Zone
1983 Videodrome
1984 Hockey Night
1984 Reckless
1989 Bionic Showdown: The Six Million Dollar Man and the Bionic Woman
1995 It Takes Two
1996 The Halfback of Notre Dame
1996 The Prisoner of Zenda, Inc.
Director of Photography:
1988 War of the Worlds
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.