A work in constant progress (and occasional regress).
Daniel Asadi Faezi studied documentary filmmaking at HFF Munich and at the National College of Arts in Lahore, Pakistan. He is a Berlinale Talents Alumni. His films have screened at numerous festivals including Berlinale, Locarno, Visions du Réel, International Documentary Film Festival Amsterdam and DOK Leipzig. His current works co-directed with Mila Zhluktenko include Aralkum (Juryprize Visions du Réel) and waking up in silence (Juryprize Berlinale Generation KPlus). Currently they work on their debut feature film.
Director:
2013 Arefi, the Shepherd
2016 Kids of Tehran
2017 In Search of
2017 observation of hawks in the sky
2019 The Absence of Apricots
2019 Where We Used to Swim
2021 Slowly Forgetting Your Faces
2022 Aralkum
2023 Waking Up in Silence
2025 in retrospect
Director of Photography:
2013 Arefi, the Shepherd
2016 Kids of Tehran
2017 In Search of
2017 observation of hawks in the sky
2019 The Absence of Apricots
2019 Where We Used to Swim
2021 Slowly Forgetting Your Faces
2022 Aralkum
2023 Waking Up in Silence
2025 in retrospect
Editor:
2013 Arefi, the Shepherd
2016 Kids of Tehran
2017 In Search of
2017 observation of hawks in the sky
2019 The Absence of Apricots
2019 Where We Used to Swim
2021 Slowly Forgetting Your Faces
2022 Aralkum
2022 The DNA of Dignity
2023 Waking Up in Silence
2025 Critical Condition
2025 in retrospect
First Assistant Director:
2013 Arefi, the Shepherd
2016 Kids of Tehran
2017 In Search of
2017 observation of hawks in the sky
2019 The Absence of Apricots
2019 Where We Used to Swim
2021 Slowly Forgetting Your Faces
2022 Aralkum
2022 The DNA of Dignity
2023 Waking Up in Silence
2024 Shahid
2025 Critical Condition
2025 in retrospect
Producer:
2013 Arefi, the Shepherd
2016 Kids of Tehran
2017 In Search of
2017 observation of hawks in the sky
2019 Opera Glasses
2019 The Absence of Apricots
2019 Where We Used to Swim
2021 Slowly Forgetting Your Faces
2022 Aralkum
2022 The DNA of Dignity
2023 Waking Up in Silence
2024 Shahid
2025 Critical Condition
2025 in retrospect
Screenplay:
2013 Arefi, the Shepherd
2016 Kids of Tehran
2017 In Search of
2017 observation of hawks in the sky
2019 Opera Glasses
2019 The Absence of Apricots
2019 Where We Used to Swim
2021 Slowly Forgetting Your Faces
2022 Aralkum
2022 The DNA of Dignity
2023 Waking Up in Silence
2024 Shahid
2025 Critical Condition
2025 in retrospect
Sound:
2013 Arefi, the Shepherd
2016 Kids of Tehran
2017 In Search of
2017 observation of hawks in the sky
2019 Opera Glasses
2019 The Absence of Apricots
2019 Where We Used to Swim
2021 Slowly Forgetting Your Faces
2022 Aralkum
2022 PORNO 3079
2022 The DNA of Dignity
2023 Waking Up in Silence
2024 Shahid
2025 Critical Condition
2025 in retrospect
Writer:
2013 Arefi, the Shepherd
2016 Kids of Tehran
2017 In Search of
2017 observation of hawks in the sky
2019 Opera Glasses
2019 The Absence of Apricots
2019 Where We Used to Swim
2021 Slowly Forgetting Your Faces
2022 Aralkum
2022 PORNO 3079
2022 The DNA of Dignity
2023 Waking Up in Silence
2024 Shahid
2025 Critical Condition
2025 in retrospect
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.