A work in constant progress (and occasional regress).
Alias:
FilmGizmo
Sandra Trostel is a filmmaker and producer who deals with storytelling in the digital age. Through artistic and scientific debate her work focuses on the analysis of current and future social developments through digitalization and the possibility of participation and co-creation. Depending on the project, she uses various media and forms. Her documentary projects such as Utopia Ltd., Everybody's Cage or All Creatures Welcome have been presented at international festivals, in cinema and on television. She also participates in think tanks and theatre projects, leads workshops and lectures on her work.
Director:
2011 Utopia Ltd.
2015 Everybody's Cage
2018 All Creatures Welcome
2023 Zoopticon
Director of Photography:
2011 Utopia Ltd.
2015 Everybody's Cage
2018 All Creatures Welcome
2023 Zoopticon
Editor:
2007 Altyapi
2007 Lauf der Dinge
2011 Utopia Ltd.
2015 Everybody's Cage
2018 All Creatures Welcome
2023 Landjäger
2023 Zoopticon
Producer:
2007 Altyapi
2007 Lauf der Dinge
2011 Utopia Ltd.
2015 Everybody's Cage
2018 All Creatures Welcome
2023 Landjäger
2023 Zoopticon
Screenplay:
2007 Altyapi
2007 Lauf der Dinge
2011 Utopia Ltd.
2015 Everybody's Cage
2018 All Creatures Welcome
2023 Landjäger
2023 Zoopticon
Sound Designer:
2007 Altyapi
2007 Lauf der Dinge
2011 Utopia Ltd.
2015 Everybody's Cage
2018 All Creatures Welcome
2023 Landjäger
2023 Zoopticon
Writer:
2007 Altyapi
2007 Lauf der Dinge
2011 Utopia Ltd.
2015 Everybody's Cage
2018 All Creatures Welcome
2023 Landjäger
2023 Zoopticon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.