A work in constant progress (and occasional regress).
Alias:
Bernard Orthion
Music:
1979 Le divorcement
Sound:
1962 Merce Cunningham
1964 Nadja in Paris
1965 Six in Paris
1966 Elsa the Rose
1969 Cinéma-Cinéma
1969 Sadistic Hallucinations
1970 Bartleby
1970 The People and Their Guns
1972 Tout Va Bien
1973 George Who?
1974 My Little Loves
1975 Family Jewels
1975 The Big Delirium
1975 The Butcher, the Star and the Orphan
1977 Mary Cassatt: Impressionist From Philadelphia
1979 Laura
1979 Le divorcement
1979 Seven Days in January
1982 A contratiempo
1986 Matador
2002 1974, une partie de campagne
Sound Designer:
1962 Merce Cunningham
1964 Nadja in Paris
1965 Six in Paris
1966 Elsa the Rose
1969 Cinéma-Cinéma
1969 Sadistic Hallucinations
1970 Bartleby
1970 The People and Their Guns
1972 Tout Va Bien
1973 George Who?
1974 My Little Loves
1974 Sweet Movie
1975 Family Jewels
1975 The Big Delirium
1975 The Butcher, the Star and the Orphan
1977 Mary Cassatt: Impressionist From Philadelphia
1979 Laura
1979 Le divorcement
1979 Seven Days in January
1981 The Games of Countess Dolingen
1982 A contratiempo
1986 Matador
2002 1974, une partie de campagne
Sound Engineer:
1962 Merce Cunningham
1964 Nadja in Paris
1965 Six in Paris
1966 Elsa the Rose
1969 Cinéma-Cinéma
1969 Sadistic Hallucinations
1969 Time to Live
1970 Bartleby
1970 The People and Their Guns
1972 Tout Va Bien
1973 George Who?
1973 The Punishment
1974 My Little Loves
1974 Sweet Movie
1975 Family Jewels
1975 The Big Delirium
1975 The Butcher, the Star and the Orphan
1977 Mary Cassatt: Impressionist From Philadelphia
1979 Laura
1979 Le divorcement
1979 Seven Days in January
1981 The Games of Countess Dolingen
1982 A contratiempo
1986 Matador
2002 1974, une partie de campagne
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.