A work in constant progress (and occasional regress).
Alias:
Peter Bena
Petr Beňa
Birthplace:
Prešov, Československo
Born:
September 5, 1957
Assistant Camera:
1982 Tušenie
1984 Na druhom brehu sloboda
1984 Výlet do mladosti
1986 Another Love
1986 Skleníková Venuša
1986 Slané cukríky
Camera Operator:
1982 Tušenie
1984 Ilda
1984 Na druhom brehu sloboda
1984 Výlet do mladosti
1985 Predsunutý
1986 Another Love
1986 Návrat Jána Petru
1986 Skleníková Venuša
1986 Slané cukríky
2012 Stín smrtihlava
Cinematography:
1982 Tušenie
1984 Ilda
1984 Na druhom brehu sloboda
1984 Výlet do mladosti
1985 Predsunutý
1986 Another Love
1986 Návrat Jána Petru
1986 Skleníková Venuša
1986 Slané cukríky
2012 Stín smrtihlava
2016 Jak básníci čekají na zázrak
Director of Photography:
1982 Tušenie
1984 Ilda
1984 Na druhom brehu sloboda
1984 Výlet do mladosti
1985 Predsunutý
1986 Another Love
1986 Návrat Jána Petru
1986 Skleníková Venuša
1986 Slané cukríky
1990 Vtedy v auguste
1991 Variácie slávy
1993 Fontána pre Zuzanu 2
1997 Chladné srdce
1998 Zkřížené meče
2001 Elixír a Halíbela
2001 Zvonící meče
2002 Muž, který vycházel z hrobu
2002 O víle Arnoštce
2002 Peklem s čertem
2002 Ta třetí
2002 Zázračné meče
2007 Dítě hvězdy
2009 Dilino a čert
2009 Fispan's Apple
2009 Hrobník
2011 Teremin
2012 Stín smrtihlava
2016 Jak básníci čekají na zázrak
2020 The Case of the Dead Deadman
2023 Lásky Petra Štěpánka
2023 Where Butterflies Don't Fly
Camera Supervisor:
2005 Strážce duší
Director of Photography:
1989 Chlapec a pes
2004 I ve smrti sami
2005 Strážce duší
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.