Jim VanDeventer

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Alias:
James VanDeventer

Jim VanDeventer is a graduate of the Art Institute of Vancouver and professional editor with a social conscience.  He has worked on critically acclaimed documentaries to technically ambitious ventures such as a 3D movie and music videos.  Although Jim is a relatively fresh face to the film scene, a masterful command of the visual narrative has already earned him numerous awards.  2010 - Love Exiled, documentary short film, director/editor2009 - Health & Healing with Dr. Bill Code, television pilot, editor2009 - Island Chef, television pilot, editor2009 - Kicking in the Kitchen, television pilot, editor2009 - Keyeye, television series, episodes 2 & 3, editor2009 - Sea to Sky, music video, cinematographer/editor2009 - Vancouver Vagabond, feature film, editor (2006 to 2008)2006 - Sasquatch in the Mist, short film, writer/editor/producer (Best Documentary, BC Student Film Festival)2006 - Rocket, short film, script editor2006 - MADD Fundraiser, corporate video, editor2005 - It Came From Uranus! (3D), short film, director/SFX engineer/editor2005 - Sharp as Marbles, feature film, location audio2005 - The Matthew Harrison Workshop, training video, grip/lamp operator/camera2005 - Karaoke Idol, short film, writer/actor/editor2005 - Radical! (The Art Institute), commercial, director/editor2005 - Twenty Something, short film, writer/director/editor (2nd place Experimental, BC Student Film Festival)

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Camera Operator:
2010  Love Exiled

Director:
2010  Love Exiled

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.