A work in constant progress (and occasional regress).
Alias:
Mephisto Rexx
Rexx
Birthplace:
Rio de Janeiro, Rio de Janeiro, Brazil
Marcelo Castanheira is a Brazilian director, born in Rio de Janeiro, known for his work as Director of Photography and cinematographer in horror movies with directors such as José Mojica Marins (Coffin Joe), Petter Baiestorf, and Rodrigo Aragão, in movies such as "Dark Sea" (2013), "The Black Fables" (2015), and the Brazilian cultural TV show "Ponto Cult" (2016).
Assistant Director:
2013 Dark Sea
2014 Alerta: recuento de cadáveres
2014 Revelations of a Cannibal Filmaker
2015 Dark Fables
2018 Road
Associate Producer:
2013 Dark Sea
2014 Alerta: recuento de cadáveres
2014 Revelations of a Cannibal Filmaker
2015 Dark Fables
2018 Road
Camera Operator:
2002 Do Outro Lado da Lente
2007 Abrigos… Até Quando?
2013 Dark Sea
2014 Alerta: recuento de cadáveres
2014 Revelations of a Cannibal Filmaker
2015 Dark Fables
2015 O Saci
2015 The Monstrologist
2018 Road
Cinematography:
2002 Do Outro Lado da Lente
2007 Abrigos… Até Quando?
2013 Dark Sea
2014 Alerta: recuento de cadáveres
2014 Revelations of a Cannibal Filmaker
2015 Dark Fables
2015 O Saci
2015 The Monstrologist
2018 Road
Co-Director:
2002 Do Outro Lado da Lente
2007 Abrigos… Até Quando?
2013 Dark Sea
2014 Alerta: recuento de cadáveres
2014 Revelations of a Cannibal Filmaker
2015 Dark Fables
2015 O Saci
2015 Pampa Feroz
2015 The Monstrologist
2018 Road
Director:
2002 Do Outro Lado da Lente
2007 Abrigos… Até Quando?
2013 Dark Sea
2014 Alerta: recuento de cadáveres
2014 Revelations of a Cannibal Filmaker
2015 Dark Fables
2015 O Saci
2015 Pampa Feroz
2015 The Monstrologist
2018 Road
Director of Photography:
2002 Do Outro Lado da Lente
2007 Abrigos… Até Quando?
2013 Dark Sea
2014 Alerta: recuento de cadáveres
2014 Revelations of a Cannibal Filmaker
2015 Dark Fables
2015 O Saci
2015 Pampa Feroz
2015 The Monstrologist
2018 Road
Editor:
2002 Do Outro Lado da Lente
2007 Abrigos… Até Quando?
2013 Dark Sea
2014 Alerta: recuento de cadáveres
2014 Revelations of a Cannibal Filmaker
2015 Dark Fables
2015 O Saci
2015 Pampa Feroz
2015 The Monstrologist
2018 Road
Producer:
2002 Do Outro Lado da Lente
2007 Abrigos… Até Quando?
2013 Dark Sea
2014 Alerta: recuento de cadáveres
2014 Revelations of a Cannibal Filmaker
2015 Dark Fables
2015 O Saci
2015 Pampa Feroz
2015 The Monstrologist
2018 Road
Sound Editor:
2002 Do Outro Lado da Lente
2007 Abrigos… Até Quando?
2013 Dark Sea
2014 Alerta: recuento de cadáveres
2014 Revelations of a Cannibal Filmaker
2015 Dark Fables
2015 O Saci
2015 Pampa Feroz
2015 The Monstrologist
2018 Road
Sound Recordist:
2002 Do Outro Lado da Lente
2007 Abrigos… Até Quando?
2013 Dark Sea
2014 Alerta: recuento de cadáveres
2014 Revelations of a Cannibal Filmaker
2015 Dark Fables
2015 O Saci
2015 Pampa Feroz
2015 The Monstrologist
2018 Road
Writer:
2002 Do Outro Lado da Lente
2007 Abrigos… Até Quando?
2013 Dark Sea
2014 Alerta: recuento de cadáveres
2014 Revelations of a Cannibal Filmaker
2015 Dark Fables
2015 O Saci
2015 Pampa Feroz
2015 The Monstrologist
2018 Road
Cinematography:
???? Ponto Cult
Director of Photography:
???? Ponto Cult
Sound Recordist:
???? Ponto Cult
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.