A work in constant progress (and occasional regress).
Birthplace:
Cincinatti, OH, USA
Michael Laurence is an award-winning actor and writer. He is known for his recurring roles as Curtis 'Caddie' DeVille on NBC’s Shades of Blue (opposite Jennifer Lopez), the eco-terrorist Maddox Beck on NBC’s The Blacklist, Cutter the Vet on the cult hit The Heartshe Holler on Adult Swim, and the mysterious Barry the Homeless Man on FX’s Damages, among many other TV and film credits. He has performed leading roles on Broadway and Off-Broadway, in top regional theaters, and internationally. He is the playwright of the acclaimed Off-Broadway plays Krapp,39 (Drama Desk Award nomination, Soho Playhouse/London/Dublin/Edinburgh), Hamlet in Bed (Rattlestick Playwrights Theater, Pleasance Theatre/Edinburgh), and the upcoming Cincinnatus. He is the co-creator (with playwright-performer Edgar Oliver) of Chop Off Your Ear and the writer/director of the feature film Escape Artists. Other screenplays include Hamlet in Bed and the feature adaptation of Murakami’s Kafka on the Shore. He has guest-starred on Prodigal Son, Evil, The Good Wife, Elementary, Person Of Interest, Hit & Run, Law & Order: SVU, Third Watch, Johnny Zero, FX, GhostStories, As the World Turns, and Jonathan Ames’ What’s Not To Love? for SHOWTIME. Film acting credits include The Last Thing Mary Saw (upcoming), Can You Ever Forgive Me?, One For the Money (w/ Katharine Heigl), Man On A Ledge (w/ Sam Worthington & Ed Harris), A Walk In The Park (directed by Amos Poe), The Operator, Follow Me Outside, Room314, Escape Artists, Claire Dolan, Torte Blume, Tell Me The Truth, The Chase, Standing In the Current, Love God, The Minister’s Black Veil, Particles of Truth, and other indies.
Creator:
1983 Return to Eden
Writer:
1983 Return to Eden
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.