A work in constant progress (and occasional regress).
Dimitri Zaunders is an Australian cinematographer and photographer, working between documentary and fiction.
Additional Camera:
2014 The Babadook
2015 Mad Max: Fury Road
Cinematography:
2014 Advance Australian Film
2014 The Babadook
2015 Mad Max: Fury Road
2015 Yang
2022 The Road
2025 The Golden Spurtle
???? My Summer in the Human Resistance
Color Grading:
2014 Advance Australian Film
2014 The Babadook
2015 Mad Max: Fury Road
2015 Yang
2022 The Road
2025 Stone Lions, Liquid Lions
2025 The Golden Spurtle
???? My Summer in the Human Resistance
Data Wrangler:
2014 Advance Australian Film
2014 The Babadook
2015 Mad Max: Fury Road
2015 Yang
2022 The Road
2025 Stone Lions, Liquid Lions
2025 The Golden Spurtle
???? My Summer in the Human Resistance
Director of Photography:
2014 Advance Australian Film
2014 The Babadook
2015 Mad Max: Fury Road
2015 Yang
2016 Window
2018 Shading
2018 Tomgirl
2020 A Delicate Fire
2022 Friends and Strangers
2022 Sam Campbell: Companion
2022 The Road
2023 Too Many Ethnics
2024 Tom Cashman: Pests
2025 Stone Lions, Liquid Lions
2025 The Golden Spurtle
???? My Summer in the Human Resistance
Gaffer:
2011 Beneath the Waves
2014 Advance Australian Film
2014 The Babadook
2015 Mad Max: Fury Road
2015 Yang
2016 Window
2018 Shading
2018 Tomgirl
2020 A Delicate Fire
2022 Friends and Strangers
2022 Sam Campbell: Companion
2022 The Road
2023 Too Many Ethnics
2024 Tom Cashman: Pests
2025 Stone Lions, Liquid Lions
2025 The Golden Spurtle
???? My Summer in the Human Resistance
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.