A work in constant progress (and occasional regress).
Alias:
حسین شهابی
Birthplace:
Tabriz, Iran
Born:
January 1, 1967
Died:
May 1, 2018
Hossein Shahabi (Persian: حسین شهابی) is an Iranian film director, screenwriter and film producer He belongs to the third generation of the new wave of Iranian cinema. After graduation from studying classical music at Tehran University, he has written, directed and produced 20 shorts, 10 fictional features (for video release in the Iranian market) and 3 features, for the theatrical release, some of which have won prizes in the local and international film festivals. The Bright Day (2013) has been his debut, which was well received by the critics and it was nominated in four categories in Fajr International Film Festival, Tehran (Feb. 2013) and won two Honorary Diplomas. The Bright Day had its international premiere at the competition in Mar del Plata film festival, (2013) and got a special mention of the jury. It was also win Silver Pheasant Award and a cash prize for The Best Debut Director of the 19th International Film Festival of Kerala, India the Sale is second long feature film of hossein shahabi.For the first time in the 21st film festivals Vesoul France is on the screen.
Director:
1995 Elevator
1995 Hundred to One Hundred
1996 The Traces of Light
1997 Bright Shadow
1997 Tunnel 18
1998 Ghost
2000 Broth Soup
2000 Wars and Treasure
2001 Echo
2001 Rain Tree
2001 The photo
2009 The Last Word
2010 Glassy Night
2013 The Bright Day
2014 The Sale
???? For the sake of mahdi
Director of Photography:
1995 Elevator
1995 Hundred to One Hundred
1996 The Traces of Light
1997 Bright Shadow
1997 Tunnel 18
1998 Ghost
2000 Broth Soup
2000 Wars and Treasure
2001 Echo
2001 Rain Tree
2001 The photo
2009 The Last Word
2010 Glassy Night
2013 The Bright Day
2014 The Sale
???? For the sake of mahdi
Music:
1995 Elevator
1995 Hundred to One Hundred
1996 The Traces of Light
1997 Bright Shadow
1997 Tunnel 18
1998 Ghost
2000 Broth Soup
2000 Wars and Treasure
2001 Echo
2001 Rain Tree
2001 The photo
2009 The Last Word
2010 Glassy Night
2013 The Bright Day
2014 The Sale
???? For the sake of mahdi
???? The cancer period
Music Director:
1995 Elevator
1995 Hundred to One Hundred
1996 The Traces of Light
1997 Bright Shadow
1997 Tunnel 18
1998 Ghost
2000 Broth Soup
2000 Wars and Treasure
2001 Echo
2001 Rain Tree
2001 The photo
2009 The Last Word
2010 Glassy Night
2013 The Bright Day
2014 The Sale
???? For the sake of mahdi
???? The cancer period
Producer:
1995 Elevator
1995 Hundred to One Hundred
1996 The Traces of Light
1997 Bright Shadow
1997 Tunnel 18
1998 Ghost
2000 Broth Soup
2000 Wars and Treasure
2001 Echo
2001 Rain Tree
2001 The photo
2009 The Last Word
2010 Glassy Night
2013 The Bright Day
2014 The Sale
???? For the sake of mahdi
???? The cancer period
Production Manager:
1995 Elevator
1995 Hundred to One Hundred
1996 The Traces of Light
1997 Bright Shadow
1997 Tunnel 18
1998 Ghost
2000 Broth Soup
2000 Wars and Treasure
2001 Echo
2001 Rain Tree
2001 The photo
2009 The Last Word
2010 Glassy Night
2013 The Bright Day
2014 The Sale
2023 Nobody Asked
???? For the sake of mahdi
???? The cancer period
Writer:
1995 Elevator
1995 Hundred to One Hundred
1996 The Traces of Light
1997 Bright Shadow
1997 Tunnel 18
1998 Ghost
2000 Broth Soup
2000 Wars and Treasure
2001 Echo
2001 Rain Tree
2001 The photo
2009 The Last Word
2010 Glassy Night
2013 The Bright Day
2014 The Sale
2023 Nobody Asked
???? For the sake of mahdi
???? The cancer period
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.