A work in constant progress (and occasional regress).
Alias:
Ole John Povlsen
Birthplace:
Copenhagen, Denmark
Born:
October 15, 1939
Ole John Povlsen is a Danish producer, director, and cinematographer. He was trained as a portrait photographer and graduated as a cinematographer from The National Film School of Denmark. He post-graduated from EAVE (European Audiovisual Entrepreneurs) 1992 and attended Cass Film Business School in London 2010. Throughout his film career, he has worked intensively on developing new talents in Danish Film. He was associate professor at Kunstakademie Düsseldorf, Germany 1971-75, head of the Danish Film Workshop 1977-84, chairman of the Danish Producers Association and on the board of the Danish Film Institute 1987-91. From 1994-98 he was director of New Danish Screen and from 1998-2009 he headed the producer education and was deputy director at the National Film School. From 2009-12 he developed and was project manager at Copenhagen Film Mentor.
"B" Camera Operator:
1983 Pelota
Cinematography:
1963 Stop for Bud
1964 Look Forward to a Time of Security
1968 Near Heaven, Near Earth
1970 Motion Picture
1983 Pelota
Director:
1963 Stop for Bud
1964 Look Forward to a Time of Security
1968 Near Heaven, Near Earth
1969 Krag-filmen
1969 Rødovrefilmen
1970 Motion Picture
1970 The Search
1971 Inside
1982 New York Street Performers
1983 Pelota
Director of Photography:
1963 Stop for Bud
1964 Look Forward to a Time of Security
1968 Near Heaven, Near Earth
1968 Ophelia's Flowers
1968 The Perfect Human
1969 Krag-filmen
1969 Rødovrefilmen
1970 Frændeløs
1970 Love
1970 Motion Picture
1970 The Search
1971 Inside
1982 New York Street Performers
1983 Pelota
Executive Producer:
1963 Stop for Bud
1964 Look Forward to a Time of Security
1968 Near Heaven, Near Earth
1968 Ophelia's Flowers
1968 The Perfect Human
1969 Krag-filmen
1969 Rødovrefilmen
1970 Frændeløs
1970 Love
1970 Motion Picture
1970 The Search
1971 Inside
1982 New York Street Performers
1983 Pelota
Producer:
1963 Stop for Bud
1964 Look Forward to a Time of Security
1968 Near Heaven, Near Earth
1968 Ophelia's Flowers
1968 The Perfect Human
1969 Krag-filmen
1969 Rødovrefilmen
1970 Frændeløs
1970 Love
1970 Motion Picture
1970 The Search
1971 Inside
1978 Peter Martins: A Dancer
1982 New York Street Performers
1983 Pelota
1996 The Ballad of the Viking King, Holger the Dane
Screenplay:
1963 Stop for Bud
1964 Look Forward to a Time of Security
1968 Near Heaven, Near Earth
1968 Ophelia's Flowers
1968 The Perfect Human
1969 Krag-filmen
1969 Rødovrefilmen
1970 Frændeløs
1970 Love
1970 Motion Picture
1970 The Search
1971 Inside
1978 Peter Martins: A Dancer
1982 New York Street Performers
1983 Pelota
1996 The Ballad of the Viking King, Holger the Dane
Writer:
1963 Stop for Bud
1964 Look Forward to a Time of Security
1968 Near Heaven, Near Earth
1968 Ophelia's Flowers
1968 The Perfect Human
1969 Krag-filmen
1969 Rødovrefilmen
1970 Frændeløs
1970 Love
1970 Motion Picture
1970 The Search
1971 Inside
1978 Peter Martins: A Dancer
1979 Dancing Bournonville
1982 66 Scenes from America
1982 New York Street Performers
1983 Pelota
1996 The Ballad of the Viking King, Holger the Dane
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.