Sakis Maniatis (b. 1944)

Alias:
Σάκης Μανιάτης

Birthplace:
Messini, Messinia, Greece

Born:
December 16, 1944

Sakis Maniatis is a Greek director, producer and cinematographer.

Additional information:

The Search Form


Assistant Director:
1974  Kierion

Cinematography:
1972  The Trade of Sin
1974  Kierion
1975  The Other Stage
1980  Parangelia!
1984  Karkalou
1987  Patris, listeia, oikogeneia

Director:
1972  The Trade of Sin
1974  Kierion
1974  Megara
1975  The Other Stage
1980  Parangelia!
1984  Karkalou
1987  Patris, listeia, oikogeneia

Director of Photography:
1972  The Trade of Sin
1974  Kierion
1974  Megara
1975  The Other Stage
1980  Parangelia!
1984  Karkalou
1987  Patris, listeia, oikogeneia

Editor:
1972  The Trade of Sin
1974  Kierion
1974  Megara
1975  The Other Stage
1980  Parangelia!
1984  Karkalou
1987  Patris, listeia, oikogeneia

Music:
1972  The Trade of Sin
1973  Black - White
1974  Kierion
1974  Megara
1975  The Other Stage
1980  Parangelia!
1984  Karkalou
1987  Patris, listeia, oikogeneia

Screenplay:
1972  The Trade of Sin
1973  Black - White
1974  Kierion
1974  Megara
1975  The Other Stage
1980  Parangelia!
1984  Karkalou
1987  Patris, listeia, oikogeneia

Special Guest Director:
1972  The Trade of Sin
1973  Black - White
1974  Kierion
1974  Megara
1975  The Other Stage
1979  Honeymoon
1980  Parangelia!
1984  Karkalou
1987  Patris, listeia, oikogeneia

Thanks:
1972  The Trade of Sin
1973  Black - White
1974  Kierion
1974  Megara
1975  The Other Stage
1979  Honeymoon
1980  Parangelia!
1984  Karkalou
1987  Patris, listeia, oikogeneia
1992  Crystal Nights

Writer:
1972  The Trade of Sin
1973  Black - White
1974  Kierion
1974  Megara
1975  The Other Stage
1979  Honeymoon
1980  Parangelia!
1984  Karkalou
1987  Patris, listeia, oikogeneia
1992  Crystal Nights

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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