A work in constant progress (and occasional regress).
Co-Producer:
2010 The Mean World Syndrome
2020 The Man Card
Director:
2005 Class Dismissed: How TV Frames the Working Class
2007 War Made Easy
2010 The Mean World Syndrome
2016 The Occupation of the American Mind
2020 The Man Card
Executive Producer:
2002 Playing Unfair
2005 Class Dismissed: How TV Frames the Working Class
2007 War Made Easy
2010 The Mean World Syndrome
2016 The Occupation of the American Mind
2020 The Man Card
Information Systems Manager:
2002 Playing Unfair
2005 Class Dismissed: How TV Frames the Working Class
2007 War Made Easy
2010 The Codes of Gender
2010 The Mean World Syndrome
2016 The Occupation of the American Mind
2020 The Man Card
Producer:
2002 Playing Unfair
2003 Rich Media, Poor Democracy
2005 Class Dismissed: How TV Frames the Working Class
2007 War Made Easy
2010 The Codes of Gender
2010 The Mean World Syndrome
2016 The Occupation of the American Mind
2018 Advertising at the Edge of the Apocalypse
2018 Digital Disconnect
2018 The Bystander Moment: Transforming Rape Culture at its Roots
2020 The Man Card
2022 Behind the Shield: The Power and Politics of the NFL
Researcher:
2002 Playing Unfair
2003 Rich Media, Poor Democracy
2005 Class Dismissed: How TV Frames the Working Class
2007 War Made Easy
2010 The Codes of Gender
2010 The Mean World Syndrome
2016 The Occupation of the American Mind
2018 Advertising at the Edge of the Apocalypse
2018 Digital Disconnect
2018 The Bystander Moment: Transforming Rape Culture at its Roots
2020 The Man Card
2022 Behind the Shield: The Power and Politics of the NFL
Writer:
2002 Playing Unfair
2003 Rich Media, Poor Democracy
2005 Class Dismissed: How TV Frames the Working Class
2007 War Made Easy
2010 The Codes of Gender
2010 The Mean World Syndrome
2016 The Occupation of the American Mind
2018 Advertising at the Edge of the Apocalypse
2018 Digital Disconnect
2018 The Bystander Moment: Transforming Rape Culture at its Roots
2020 The Man Card
2022 Behind the Shield: The Power and Politics of the NFL
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.