A work in constant progress (and occasional regress).
Assistant Camera:
2001 In Praise of Love
Cinematography:
2001 In Praise of Love
2009 Ariane Mnouchkine - L'aventure du Théâtre du Soleil
2012 King Hu: 1932-1997
2018 Ever, rêve, Helene Cixous
2020 L'Affaire Caravage
2025 Le voyage d'Anton
Director of Photography:
1994 Lothringen!
2001 In Praise of Love
2007 Life Will Be Beautiful
2009 Ariane Mnouchkine - L'aventure du Théâtre du Soleil
2009 Blind Fear
2009 Pardon My French
2012 King Hu: 1932-1997
2013 Il était une fois… « La Reine Margot »
2014 If You Don't, I Will
2018 Ever, rêve, Helene Cixous
2018 L'Œil du cyclo
2018 When Margaux Meets Margaux
2019 Max
2020 L'Affaire Caravage
2022 Chevrotine
2023 Summer Frost
2024 This Life of Mine
2025 Le voyage d'Anton
Cinematography:
2009 The Queen and the Cardinal
Director of Photography:
2009 The Queen and the Cardinal
2017 Terrorism: After 9/11
2024 Citoyens clandestins
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.