A work in constant progress (and occasional regress).
Director:
2016 Day After Day
2019 The Gallery
2022 Jill, Uncredited
Editor:
2016 Day After Day
2019 The Gallery
2022 Jill, Uncredited
2025 Out of the Peat
Executive Producer:
2016 Day After Day
2019 The Gallery
2021 Precious Hair & Beauty
2022 Jill, Uncredited
2025 Out of the Peat
Music:
2015 Copycat
2016 Day After Day
2017 Taking Stock
2019 The Gallery
2021 Precious Hair & Beauty
2022 Jill, Uncredited
2025 Out of the Peat
Original Music Composer:
2015 Copycat
2016 Day After Day
2017 Taking Stock
2019 The Gallery
2021 Precious Hair & Beauty
2022 Jill, Uncredited
2025 Out of the Peat
Producer:
2015 Beyond Clueless
2015 Copycat
2015 Fear Itself
2016 Blackout
2016 Day After Day
2017 Personal Truth
2017 Taking Stock
2018 Lasting Marks
2019 The Gallery
2021 Precious Hair & Beauty
2021 The Afterlight
2022 As Mine Exactly
2022 Jill, Uncredited
2025 Out of the Peat
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.