A work in constant progress (and occasional regress).
Alias:
ひろた みつたか
ひろた みつたか
広田 光毅
Birthplace:
Osaka, Japan
Born:
August 18, 1967
Mitsutaka Hirota (広田 光毅, Hirota Mitsutaka) is a Japanese male screenwriter attached to Dream Plus. He has blood type A. After graduating from Tamagawa University, he entered the Scenario Center Osaka school to learn script writing techniques. He then worked for a leasing company and retired until 1997. In 2000, he made his debut as a screenwriter. Since then, he has been writing scripts for various works centering on TV animation.
Screenplay:
2011 The Prince of Tennis: Showdown in England's Tennis Fortress
2013 Bayonetta: Bloody Fate
2014 Avengers Confidential: Black Widow & Punisher
2015 Hero Company
2016 Yowamushi Pedal: Spare Bike
2018 The Prince of Tennis: Best Games!! Tezuka vs Atobe
Script:
2011 The Prince of Tennis: Showdown in England's Tennis Fortress
2013 Bayonetta: Bloody Fate
2014 Avengers Confidential: Black Widow & Punisher
2015 Hero Company
2016 Yowamushi Pedal: Spare Bike
2018 The Prince of Tennis: Best Games!! Tezuka vs Atobe
Writer:
2011 The Prince of Tennis: Showdown in England's Tennis Fortress
2013 Bayonetta: Bloody Fate
2014 Avengers Confidential: Black Widow & Punisher
2015 Hero Company
2016 Yowamushi Pedal: Spare Bike
2017 Digimon Adventure tri. Part 5: Coexistence
2018 Tennis no Ouji-sama Best Games!! Tezuka vs Atobe
2018 The Prince of Tennis: Best Games!! Tezuka vs Atobe
2019 Korasho no Kaitei Wakuwaku Daibouken! Movie
Screenplay:
2008 Tomica Hero: Rescue Force
Series Composition:
2008 Tomica Hero: Rescue Force
2012 The New Prince of Tennis
2016 Phantasy Star Online 2: The Animation
2016 Sweetness & Lightning
2018 Mr. TONEGAWA Middle Management Blues
2018 Zoids Wild
2020 Rent-a-Girlfriend
2021 EDENS ZERO
2021 The Prince of Tennis II Hyotei vs. Rikkai Game of Future
2022 Bibliophile Princess
2022 Shoot! Goal to the Future
2022 The Prince of Tennis II: U-17 World Cup
2023 Reborn to Master the Blade: From Hero-King to Extraordinary Squire ♀
2023 Sweet Reincarnation
2023 Why Raeliana Ended Up at the Duke's Mansion
2024 Days with My Stepsister
2024 My Wife Has No Emotion
2024 Tonbo!
???? This Monster Wants to Eat Me
Writer:
2004 Ultra Q: Dark Fantasy
2006 Fairy Musketeers
2006 Hataraki Man
2006 Yu-Gi-Oh! Capsule Monsters
2007 Kaiji
2008 Tomica Hero: Rescue Force
2011 Hunter x Hunter
2011 X-Men
2011 Yu-Gi-Oh! Zexal
2012 The New Prince of Tennis
2013 Pokémon Origins
2014 Dragon Collection
2014 Yu-Gi-Oh! Arc-V
2014 carino coni
2016 Phantasy Star Online 2: The Animation
2016 Sweetness & Lightning
2017 Anime-Gataris
2017 Yu-Gi-Oh! VRAINS
2018 Mr. TONEGAWA Middle Management Blues
2018 Zoids Wild
2019 ACTORS: Songs Connection
2020 Rent-a-Girlfriend
2021 EDENS ZERO
2021 The Prince of Tennis II Hyotei vs. Rikkai Game of Future
2022 Bibliophile Princess
2022 Shoot! Goal to the Future
2022 The Prince of Tennis II: U-17 World Cup
2023 Reborn to Master the Blade: From Hero-King to Extraordinary Squire ♀
2023 Sweet Reincarnation
2023 Why Raeliana Ended Up at the Duke's Mansion
2024 Days with My Stepsister
2024 My Wife Has No Emotion
2024 Tonbo!
???? This Monster Wants to Eat Me
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.