A work in constant progress (and occasional regress).
Birthplace:
Düsseldorf, Germany
Born:
February 2, 1931
Died:
July 9, 2016
Hugo Niebeling (2 February 1931 – 9 July 2016) was a German film director and producer. He had been particularly noted for his work on industrial and music films, and is considered one of the most important renewers of these genres in Germany. His style is credited to have influenced and helped create the modern music video. His feature-film documentary Alvorada was nominated for an Academy Award in 1963.
Camera Supervisor:
1965 Petrol - Carburant - Kraftstoff
Director:
1960 Druckgefäß Kahl
1960 Steel - Variations on a Theme
1962 Alvorada: Brazil's Changing Face
1965 Petrol - Carburant - Kraftstoff
1967 Mit Licht schreiben - Photographein
1967 Pastorale
1970 Giselle
1971 Beethoven - Symphony No. 5
1971 Beethoven - Symphony No. 7
1972 Eroica
1973 La valse
1991 Es wäre gut, daß ein Mensch würde umbracht für das Volk
2009 Eroica - Director's Cut
2010 Karajan dirigiert Beethovens Siebente (Directors Cut)
Editor:
1960 Druckgefäß Kahl
1960 Steel - Variations on a Theme
1962 Alvorada: Brazil's Changing Face
1965 Petrol - Carburant - Kraftstoff
1967 Mit Licht schreiben - Photographein
1967 Pastorale
1970 Giselle
1971 Beethoven - Symphony No. 5
1971 Beethoven - Symphony No. 7
1972 Eroica
1973 La valse
1991 Es wäre gut, daß ein Mensch würde umbracht für das Volk
2009 Eroica - Director's Cut
2010 Karajan dirigiert Beethovens Siebente (Directors Cut)
Producer:
1960 Druckgefäß Kahl
1960 Steel - Variations on a Theme
1962 Alvorada: Brazil's Changing Face
1965 Petrol - Carburant - Kraftstoff
1967 Mit Licht schreiben - Photographein
1967 Pastorale
1970 Giselle
1971 Beethoven - Symphony No. 5
1971 Beethoven - Symphony No. 7
1972 Eroica
1973 La valse
1991 Es wäre gut, daß ein Mensch würde umbracht für das Volk
2009 Eroica - Director's Cut
2010 Karajan dirigiert Beethovens Siebente (Directors Cut)
Script:
1960 Druckgefäß Kahl
1960 Steel - Variations on a Theme
1962 Alvorada: Brazil's Changing Face
1965 Petrol - Carburant - Kraftstoff
1967 Mit Licht schreiben - Photographein
1967 Pastorale
1970 Giselle
1971 Beethoven - Symphony No. 5
1971 Beethoven - Symphony No. 7
1972 Eroica
1973 La valse
1991 Es wäre gut, daß ein Mensch würde umbracht für das Volk
2009 Eroica - Director's Cut
2010 Karajan dirigiert Beethovens Siebente (Directors Cut)
Writer:
1960 Druckgefäß Kahl
1960 Steel - Variations on a Theme
1962 Alvorada: Brazil's Changing Face
1965 Petrol - Carburant - Kraftstoff
1967 Mit Licht schreiben - Photographein
1967 Pastorale
1970 Giselle
1971 Beethoven - Symphony No. 5
1971 Beethoven - Symphony No. 7
1972 Eroica
1973 La valse
1991 Es wäre gut, daß ein Mensch würde umbracht für das Volk
2009 Eroica - Director's Cut
2010 Karajan dirigiert Beethovens Siebente (Directors Cut)
???? Bergmann am Hebel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.