A work in constant progress (and occasional regress).
Originally from Japan, Hideho Urata began his career in the United States. A feature film he lensed, KAMATAKI (2005), won five awards at the Montréal World Film Festival 2005, and the Crystal Bear-Special Mention at the Berlin International Film Festival 2006. He won Best Cinematography at Montreal's Fantasia International Film Festival 2009 and Best Visual Achievement at the New York Asian Film Festival 2009 for his work on THE CLONE RETURNS HOME (2008). Hideho’s latest feature film in Singapore, A LAND IMAGINED (2018) won the Golden Leopard at the Locarno International Film Festival 2018, and he also won Valladolid International Film Festival - Seminci for Best Cinematography and Asian Pacific Screen Award for Achievement of Cinematography for his work in A LAND IMAGINED (2018).
Cinematography:
2012 the meaning of style
Director:
1996 Celebrate Cinema 101
2012 the meaning of style
Director of Photography:
1996 Celebrate Cinema 101
2005 Animus Anima
2008 The Clone Returns Home
2012 the meaning of style
2015 7 Letters
2015 Parting
2016 The Day I Lost My Shadow
2017 Lizard on the Wall
2017 Sanjay
2018 Permanent Resident
2019 A Land Imagined
2022 Plan 75
2023 Last Shadow at First Light
2024 A Girl Named Ann
2024 Stranger Eyes
Director of Photography:
2013 Neo Ultra Q
2023 Deep End
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.