A work in constant progress (and occasional regress).
Alias:
aAron Munson
aAron Munson is a Canadian filmmaker, cinematographer and multimedia artist. His work has taken him from his personal studio to war zones, high-Arctic weather stations, reindeer nomad camps in Siberia, and the Arabian Desert. aAron's projects tackle extreme human experiences, both far from and close to home, utilizing film, video, photography and sound to create visual explorations relating to mental illness, memory, and the nature of consciousness.
Additional Camera:
2021 Mary Two-Axe Earley: I Am Indian Again
Associate Producer:
2018 Until First Light
2021 Mary Two-Axe Earley: I Am Indian Again
Camera Operator:
2016 Cree Code Talker
2018 Until First Light
2021 Mary Two-Axe Earley: I Am Indian Again
Cinematography:
2010 Figs in Motion
2016 Cree Code Talker
2018 Until First Light
2021 Mary Two-Axe Earley: I Am Indian Again
Director:
2008 leaving me
2009 AurA
2010 Figs in Motion
2012 Something Strangely Familiar
2016 Cree Code Talker
2017 Deceiver
2018 Under The Sun
2018 Until First Light
2021 Mary Two-Axe Earley: I Am Indian Again
Director of Photography:
2008 leaving me
2009 AurA
2010 Figs in Motion
2010 Mea Maxima Culpa
2012 Something Strangely Familiar
2015 2.57k
2016 Cree Code Talker
2017 Deceiver
2018 Indian Rights for Indian Women
2018 Snow Warrior
2018 To Wake Up the Nakota Language
2018 Under The Sun
2018 Until First Light
2019 Digging in the Dirt
2020 (Re)Claiming Indian Status
2021 Mary Two-Axe Earley: I Am Indian Again
2022 Cabin Music
???? Things Arab Men Say
Editor:
2008 leaving me
2009 AurA
2010 Figs in Motion
2010 Mea Maxima Culpa
2012 Something Strangely Familiar
2015 2.57k
2016 Cree Code Talker
2017 Deceiver
2018 Indian Rights for Indian Women
2018 Snow Warrior
2018 To Wake Up the Nakota Language
2018 Under The Sun
2018 Until First Light
2019 Digging in the Dirt
2020 (Re)Claiming Indian Status
2021 Mary Two-Axe Earley: I Am Indian Again
2022 Cabin Music
???? Things Arab Men Say
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.