A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Candace Maxwell is a first generation Caribbean-American actress and dancer hailing from Queens, New York and raised in Atlanta, Georgia. She is best known for her work as Cassandra Haynes on "Power" (2019) and "Insatiable" (2019). Before starting her acting career, she worked extensively as a dancer on stage, film, and Broadway having been a back-up dancer for hip-hop icons Beyonce, Lil Kim and P. Diddy. Her skills landed her dance segments on major TV shows and catapulted her to Broadway where she was cast in "Holler If You Hear Me". Having her eyes set on expanding her opportunities in an acting career, Candace trained at the Maggie Flanigan Studio with an in-depth focus on the Meisner technique. Outside of Film & TV, she is passionate about travel, food & culture, animals, and is an advocate for underprivileged youth
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.