A work in constant progress (and occasional regress).
Lighting Technician:
1994 I Like You, I Like You Very Much
Sound:
1992 Tokyo Decadence
1993 A Touch of Fever
1994 I Like You, I Like You Very Much
1996 Tama asobi
2008 The Clone Returns Home
2019 Ghost Master
2023 Single8
???? Red Spyder Liles
Sound Designer:
1992 Tokyo Decadence
1993 A Touch of Fever
1994 I Like You, I Like You Very Much
1994 Tarch Trip
1996 Tama asobi
2008 The Clone Returns Home
2013 The War and a Woman
2019 Ghost Master
2023 Single8
???? Red Spyder Liles
Sound Effects:
1992 Tokyo Decadence
1993 A Touch of Fever
1994 I Like You, I Like You Very Much
1994 Tarch Trip
1996 Tama asobi
2008 The Clone Returns Home
2013 The War and a Woman
2013 What I Long For
2019 Ghost Master
2023 Single8
???? Red Spyder Liles
Sound Recordist:
1992 Tokyo Decadence
1993 A Touch of Fever
1994 I Like You, I Like You Very Much
1994 Tarch Trip
1996 Tama asobi
2008 The Clone Returns Home
2012 The Tang of Lemon
2013 The War and a Woman
2013 What I Long For
2018 Chronicle of the After-School Wars
2019 Ghost Master
2019 Vamp
2023 Single8
???? Red Spyder Liles
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.