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Kati Salowsky

Birthplace:
Boston, Massachusetts, USA

Biography from TheMovieDB

Originally from Boston, Kati finds her home in Los Angeles where she practices yoga and continues to root for the New England Patriots.  After singing Disney songs over and over on the fireplace mantle at the ripe age of 3, it was inevitable to Kati's family that she was born to be a performer. She was introduced to both dance and figure skating (thanks mom and dad) where she continued to compete in national and world competitions for the following 12 years.  Upon entering middle school, Kati quickly realized she wanted to get involved in her school's theater program. Her first performance was in the McCarthy School's rendition of "Bye Bye Birdie." Boom. The spark was ignited.  After years of community stage work, Kati became involved in the Boston film scene by working her way up on many great films such as Ted, Grown Ups 2, the Judge, and numerous independent and short films.  Since moving to Hollywood two years ago, Kati has booked work in numerous network shows such as CBS' "Code Black," "Love" on Netflix, "Survivors Remorse" on Starz, and supporting roles in Lifetime movies "The Spirit of Christmas" and "His Double Life."

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.