A work in constant progress (and occasional regress).
Birthplace:
Belgrade, Serbia
Born:
October 8, 1980
Additional Writing:
2023 King Coal
Art Direction:
2023 King Coal
2024 When the Phone Rang
Camera Operator:
2011 Let’s See Where This Road Goes
2011 Nobody Can Predict The Moment Of Revolution
2011 We The People Have Found Our Voice
2012 MAGIK FIKUS
2023 King Coal
2024 When the Phone Rang
???? Are You With Me?
Consulting Editor:
2011 Let’s See Where This Road Goes
2011 Nobody Can Predict The Moment Of Revolution
2011 We The People Have Found Our Voice
2012 MAGIK FIKUS
2019 Libre
2023 King Coal
2024 When the Phone Rang
???? Are You With Me?
Director:
2010 Following Crickets
2011 Let’s See Where This Road Goes
2011 Nobody Can Predict The Moment Of Revolution
2011 Protect Me From What I Want Revisited
2011 We The People Have Found Our Voice
2012 Despers
2012 MAGIK FIKUS
2013 Avram
2013 Between Colors of I
2013 Mixba
2014 Evaporating Borders
2014 Love Comes Slyly, Like A Thief
2015 Notes from the Border
2017 Themistokleous 88
2018 Natto
2019 Libre
2020 Utuqaq
2021 Aleph
2021 Quietly, I Walk the Wrong Way
2023 King Coal
2024 When the Phone Rang
???? Are You With Me?
???? Gaāda { togetherness }
Director of Photography:
2010 Following Crickets
2011 Let’s See Where This Road Goes
2011 Nobody Can Predict The Moment Of Revolution
2011 Protect Me From What I Want Revisited
2011 We The People Have Found Our Voice
2012 Despers
2012 MAGIK FIKUS
2013 Avram
2013 Between Colors of I
2013 Mixba
2014 Evaporating Borders
2014 Love Comes Slyly, Like A Thief
2015 Notes from the Border
2017 Themistokleous 88
2018 Natto
2019 Libre
2020 Utuqaq
2021 Aleph
2021 Quietly, I Walk the Wrong Way
2023 King Coal
2024 When the Phone Rang
???? Are You With Me?
???? Gaāda { togetherness }
Editor:
2010 Following Crickets
2011 Let’s See Where This Road Goes
2011 Nobody Can Predict The Moment Of Revolution
2011 Protect Me From What I Want Revisited
2011 We The People Have Found Our Voice
2012 Despers
2012 MAGIK FIKUS
2013 Avram
2013 Between Colors of I
2013 Mixba
2014 Evaporating Borders
2014 Love Comes Slyly, Like A Thief
2015 Ma
2015 Notes from the Border
2016 10 Crosby
2017 Picket Line
2017 Themistokleous 88
2018 El Hara
2018 Natto
2019 Libre
2020 A Machine to Live in
2020 Utuqaq
2021 Aleph
2021 Quietly, I Walk the Wrong Way
2023 In the Clear Stream of All of It
2023 King Coal
2024 When the Phone Rang
???? Are You With Me?
???? Gaāda { togetherness }
Music:
2010 Following Crickets
2011 Let’s See Where This Road Goes
2011 Nobody Can Predict The Moment Of Revolution
2011 Protect Me From What I Want Revisited
2011 We The People Have Found Our Voice
2012 Despers
2012 MAGIK FIKUS
2013 Avram
2013 Between Colors of I
2013 Mixba
2014 Evaporating Borders
2014 Love Comes Slyly, Like A Thief
2015 Ma
2015 Notes from the Border
2016 10 Crosby
2017 Picket Line
2017 Themistokleous 88
2018 El Hara
2018 Natto
2019 Libre
2020 A Machine to Live in
2020 Utuqaq
2021 Aleph
2021 Quietly, I Walk the Wrong Way
2023 In the Clear Stream of All of It
2023 King Coal
2024 When the Phone Rang
???? Are You With Me?
???? Gaāda { togetherness }
Producer:
2010 Following Crickets
2011 Let’s See Where This Road Goes
2011 Nobody Can Predict The Moment Of Revolution
2011 Protect Me From What I Want Revisited
2011 We The People Have Found Our Voice
2012 Despers
2012 MAGIK FIKUS
2013 Avram
2013 Between Colors of I
2013 Mixba
2014 Evaporating Borders
2014 Love Comes Slyly, Like A Thief
2015 Ma
2015 Notes from the Border
2016 10 Crosby
2017 Picket Line
2017 Themistokleous 88
2018 El Hara
2018 Natto
2019 Libre
2020 A Machine to Live in
2020 Utuqaq
2021 Aleph
2021 Quietly, I Walk the Wrong Way
2023 In the Clear Stream of All of It
2023 King Coal
2024 When the Phone Rang
???? Are You With Me?
???? Gaāda { togetherness }
Screenplay:
2010 Following Crickets
2011 Let’s See Where This Road Goes
2011 Nobody Can Predict The Moment Of Revolution
2011 Protect Me From What I Want Revisited
2011 We The People Have Found Our Voice
2012 Despers
2012 MAGIK FIKUS
2013 Avram
2013 Between Colors of I
2013 Mixba
2014 Evaporating Borders
2014 Love Comes Slyly, Like A Thief
2015 Ma
2015 Notes from the Border
2016 10 Crosby
2017 Picket Line
2017 Themistokleous 88
2018 El Hara
2018 Natto
2019 Libre
2020 A Machine to Live in
2020 Utuqaq
2021 Aleph
2021 Quietly, I Walk the Wrong Way
2023 In the Clear Stream of All of It
2023 King Coal
2024 When the Phone Rang
???? Are You With Me?
???? Gaāda { togetherness }
Writer:
2010 Following Crickets
2011 Let’s See Where This Road Goes
2011 Nobody Can Predict The Moment Of Revolution
2011 Protect Me From What I Want Revisited
2011 We The People Have Found Our Voice
2012 Despers
2012 MAGIK FIKUS
2013 Avram
2013 Between Colors of I
2013 Mixba
2014 Evaporating Borders
2014 Love Comes Slyly, Like A Thief
2015 Ma
2015 Notes from the Border
2016 10 Crosby
2017 All That Passes by Through a Window That Doesn't Open
2017 Picket Line
2017 Themistokleous 88
2018 El Hara
2018 Natto
2019 Libre
2020 A Machine to Live in
2020 Utuqaq
2021 Aleph
2021 Quietly, I Walk the Wrong Way
2023 In the Clear Stream of All of It
2023 King Coal
2024 When the Phone Rang
???? Are You With Me?
???? Gaāda { togetherness }
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.