A work in constant progress (and occasional regress).
Birthplace:
Umea, Sweden
Born:
April 27, 1971
From Wikipedia, the free encyclopedia Mårten Hagström, (born 27 April 1971), is the rhythm guitarist for the Swedish experimental metal band Meshuggah. He joined the band after the release of their first album, which allowed Jens Kidman to focus on his vocal performances. He is known for his strong and complex rhythm guitar playing. Hagström has cited Rush, James Hetfield, Squarepusher, Autechre, Strapping Young Lad and GISM as influences. In a Metal Injection interview he has said, "You can't play an instrument for the technicality of it. It's a tool you use it to get what's in here and here [heart and mind] out there." He has also said when he was growing up, everybody in Sweden was trying to be a guitar virtuoso. This made him want to be solely a rhythm guitarist. Although fellow Meshuggah guitarist Fredrik Thordendal plays most of Meshuggah's guitar solos, the two of them share songwriting duties more or less equally, with Hagström notably contributing "Nebulous" from Nothing, "Acrid Placidity" from Destroy Erase Improve, and "Neurotica" from Chaosphere. Hagström has also stepped out of his role of playing rhythm guitar with the release of Meshuggah's obZen album by playing the slower, melodic leads on the songs that he wrote, such as "Electric Red" and "Pravus". In addition to this, he has contributed lyrics to some of the bands later releases, co-writing Catch 33 with Meshuggah drummer Tomas Haake and penning the entirety of the words for their abstract EP I. Hagström and Haake have been playing music together since they were nine years old. Hagström, along with Fredrik Thordendal, were rated #35 by Guitar World as the top 100 greatest heavy metal guitarist of all-time. Description above from the Wikipedia article Mårten Hagström, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.