A work in constant progress (and occasional regress).
Alias:
Stanley Gilbert Hawes
Birthplace:
London, England, UK
Born:
January 19, 1905
Died:
April 19, 1991
Stanley Gilbert Hawes was born in London in 1905. He spent his youth in Birmingham and worked for the city's council from 1922 to 1934. Hawes had an enthusiastic interest in cinema, co-founding the Birmingham Film Society in 1931. In the late 1930s, Hawes began producing documentary films – first at Gaumont and then at Strand Film Company. But when World War II broke out, documentary production in Britain essentially halted and Hawes found himself out of work. Fortunately, he was offered a job overseas at the newly-established National Film Board of Canada. Here, Hawes was able to produce several documentaries, focusing mainly on the Canadian war effort. In 1946, Hawes moved to Sydney to work for the Australian National Film Board (later the Commonwealth Film Unit) as the organisation's first Producer-in-Chief. Over a quarter of a decade, Hawes built up a reputation as one of Australia's most respected and acclaimed documentarians. He retired in 1970, but remained active in the Australian film community until his death in 1991.
Director:
1937 Here Is the Land
1938 Monkey Into Man
1940 Children from Overseas
1940 Home Front
1941 Battle of Brains
1941 Maple Sugar Time
1944 Trans-Canada Express
1947 School in the Mailbox
1950 Flight Plan
1951 Cavalcade of Australia 1901-1951
Executive Producer:
1937 Here Is the Land
1938 Monkey Into Man
1940 Children from Overseas
1940 Home Front
1941 Battle of Brains
1941 Maple Sugar Time
1944 Trans-Canada Express
1947 School in the Mailbox
1948 The Valley Is Ours
1950 Flight Plan
1951 Cavalcade of Australia 1901-1951
Producer:
1937 Here Is the Land
1938 Monkey Into Man
1940 Children from Overseas
1940 Home Front
1940 Timber Front
1941 Battle of Brains
1941 Maple Sugar Time
1944 Trans-Canada Express
1947 Christmas Under the Sun
1947 School in the Mailbox
1948 The Valley Is Ours
1949 Plan for Living
1950 Flight Plan
1951 Cavalcade of Australia 1901-1951
Production Supervisor:
1937 Here Is the Land
1938 Monkey Into Man
1940 Children from Overseas
1940 Home Front
1940 Timber Front
1941 Battle of Brains
1941 Maple Sugar Time
1944 Trans-Canada Express
1947 Christmas Under the Sun
1947 School in the Mailbox
1948 The Valley Is Ours
1949 Plan for Living
1950 Flight Plan
1951 Cavalcade of Australia 1901-1951
1953 Switch on Bigga
1956 Paper Run
1968 The Pictures That Moved: Australian Cinema 1896-1920
Supervising Producer:
1937 Here Is the Land
1938 Monkey Into Man
1940 Children from Overseas
1940 Home Front
1940 Timber Front
1941 Battle of Brains
1941 Maple Sugar Time
1944 Trans-Canada Express
1947 Christmas Under the Sun
1947 School in the Mailbox
1948 The Valley Is Ours
1949 Plan for Living
1950 Flight Plan
1951 Cavalcade of Australia 1901-1951
1953 Switch on Bigga
1956 Paper Run
1960 Suicide Trail
1964 Under Stress
1968 The Pictures That Moved: Australian Cinema 1896-1920
Supervisor of Production Resources:
1937 Here Is the Land
1938 Monkey Into Man
1940 Children from Overseas
1940 Home Front
1940 Timber Front
1941 Battle of Brains
1941 Maple Sugar Time
1944 Trans-Canada Express
1947 Christmas Under the Sun
1947 School in the Mailbox
1948 The Valley Is Ours
1949 Crocodile Hunters
1949 Plan for Living
1949 The Pearlers
1950 Flight Plan
1951 Cavalcade of Australia 1901-1951
1953 Switch on Bigga
1956 Paper Run
1960 Suicide Trail
1964 Under Stress
1968 The Pictures That Moved: Australian Cinema 1896-1920
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.