A work in constant progress (and occasional regress).
Assistant Camera:
1984 Dreamscape
Camera Operator:
1984 Dreamscape
1994 Swimming with Sharks
2007 I Could Never Be Your Woman
2018 12 Strong
Cinematography:
1984 Dreamscape
1994 Swimming with Sharks
2002 The Art of Action: Martial Arts in the Movies
2007 I Could Never Be Your Woman
2018 12 Strong
Director of Photography:
1984 Dreamscape
1992 Solar Crisis
1993 Almost Blue
1994 Swimming with Sharks
1996 I Shot a Man in Vegas
2001 How to Make a Monster
2002 Dawg
2002 The Art of Action: Martial Arts in the Movies
2005 Once Upon a Wedding
2007 I Could Never Be Your Woman
2018 12 Strong
Second Assistant Camera:
1983 Deadly Force
1984 Dreamscape
1984 The Philadelphia Experiment
1992 Solar Crisis
1993 Almost Blue
1994 Swimming with Sharks
1996 I Shot a Man in Vegas
2001 How to Make a Monster
2002 Dawg
2002 The Art of Action: Martial Arts in the Movies
2005 Once Upon a Wedding
2007 I Could Never Be Your Woman
2018 12 Strong
Second Unit Director of Photography:
1983 Deadly Force
1984 Dreamscape
1984 The Philadelphia Experiment
1992 Solar Crisis
1993 Almost Blue
1994 Swimming with Sharks
1996 I Shot a Man in Vegas
2001 How to Make a Monster
2002 Dawg
2002 The Art of Action: Martial Arts in the Movies
2005 Once Upon a Wedding
2007 I Could Never Be Your Woman
2014 Nightcrawler
2018 12 Strong
2021 Those Who Wish Me Dead
"A" Camera Operator:
2021 1883
2022 1923
Camera Operator:
2017 Midnight, Texas
2021 1883
2022 1923
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.