A work in constant progress (and occasional regress).
Alias:
Aron Hector Schmitz
Ettore Schmitz
Birthplace:
Trieste, Italy
Born:
December 19, 1861
Died:
September 13, 1928
Aron Hector Schmitz (1861–1928), better known by the pseudonym Italo Svevo, was an Italian writer, businessman, novelist, playwright, and short story writer. Though only recognised for his literary achievements towards the end of his life, Svevo is celebrated as one of Italy's finest writers and, along with Luigi Pirandello, is considered a prominent figure of early 20th century Italian literature. He is seen as a pioneer of the psychological novel in Italy and is best known for his classic modernist novel La coscienza di Zeno (1923). Svevo first started writing short stories in 1880. He took on the pseudonym "Italo Svevo" (literally "Italus the Swabian") for the publication of his first novel, Una vita, in 1892. The novel was not a success. His second novel, Senilità (1898), was also received poorly. In 1923, Italo Svevo published the psychological novel La coscienza di Zeno (Zeno's Conscience). The work might have disappeared altogether if it were not for the efforts of James Joyce. Joyce had met Svevo in 1907, when Joyce tutored him in English while working for Berlitz in Trieste. Joyce championed the novel, helping to have it translated into French and then published in Paris, where critics praised it extravagantly. That led Italian critics, including Eugenio Montale, to discover it. While working on a sequel to Zeno, Svevo was killed in an automobile accident.
Novel:
1962 Careless
1976 Zenovo vedomie
1986 Desiring Julia
1988 Zeno's Conscience
2001 The Words of My Father
Theatre Play:
1962 Careless
1976 Zenovo vedomie
1982 „Omladnutie“
1986 Desiring Julia
1988 Zeno's Conscience
2001 The Words of My Father
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.