A work in constant progress (and occasional regress).
Birthplace:
Lima, Peru
Rose Lowder (born in 1941 in Miraflores, Lima, Peru) is a French filmmaker. From 1947 to 1958, Lowder studied at the Colegio San Silvestre, Miraflores. She then specialized in fine arts studies in artist’s studios and art schools in Lima, Peru (The Art Center (1951-1957), La Escuela de Bellas Artes (1957-1958) then in London (Regent Street Polytechnic, 1960-1962), Chelsea School of Art (1962-1964). While in London, she pursued artistic practice while working as an editor in the film industry (1964-1972). After 1977, Lowder worked on the visual aspect of the cinematographic process and had Jean Rouch, as well as his department from the Université Paris X, and presented a part of her research for a PhD entitled ‘Le film expérimental en tant qu’instrument de recherche visuelle/Experimental film, a tool for visual research’ (1987). In action since 1977, she has been programming rarely shown films as the co-founder of the Archives du film expérimental d’Avignon (AFEA, 1981), aiming to acquire 16mm films and paper documents, as well as publishing several books; Lowder was thus able to make these works more accessible to the public: ‘La part du visuel, films expérimentaux canadiens/ The Visual Aspect, Canadian expérimental films’ (AFEA, 1991), ‘L’Image en mouvement’ (AFEA, 2002), ‘Images/discours’ (AFEA, 2006). From 1996 to 2005, Lowder was an associate professor at the Université de Paris I and taught practice, history, theory and aesthetics. By focusing her research on visual perception in relation to the cinematographic means of expression, Lowder concentrated on the various ways in which one can alter the graphic and photographic visual features of the images as it metamorphoses in time. As a result of this work, she was able to compose the image in the camera by interweaving the frames as the film strip passes the lens several times. This method of working is meticulous and complex because it consists of recording a series of images, frame by frame, in the camera, in order for them to appear simultaneously when projected on the screen.
Director:
1978 Roulement, rouerie, aubage
1979 Certaines Observations
1979 Champ provençal
1979 Couleurs mécaniques
1979 Parcelle
1979 Retour d'un repère
1979 Rue des Teinturiers
1981 Retour d'un repère composé
1982 Les tournesols
1983 Les tournesols colorés
1985 Scènes de la vie française : Arles
1986 Scènes de la vie française : Avignon
1986 Scènes de la vie française : La Ciotat
1986 Scènes de la vie française : Paris
1989 Impromptu
1992 Quiproquo
1995 Bouquets 1-10
1999 Two Pictures
2000 Poppies
2001 Bouquets 21-30
2001 Poppies and Sailboats
2003 L’Invitation au Voyage
2006 Habitat, Batrachian
2007 Cote Jardin
2009 Bouquets 11-20
2010 Sea Salt Flower
2011 Beijing 1988
2011 Nothing Special
2011 Salt Garden
2011 Under the Sun
2012 Sources
2015 Foryannfromrose
2015 Turbulence
2015 foryannfromrose - hair removed
2017 Tartarughe d’acqua
2021 La Source De La Loire
2022 Bouquets 31-40
???? Le dessert
Director of Photography:
1978 Roulement, rouerie, aubage
1979 Certaines Observations
1979 Champ provençal
1979 Couleurs mécaniques
1979 Parcelle
1979 Retour d'un repère
1979 Rue des Teinturiers
1981 Retour d'un repère composé
1982 Les tournesols
1983 Les tournesols colorés
1985 Scènes de la vie française : Arles
1986 Scènes de la vie française : Avignon
1986 Scènes de la vie française : La Ciotat
1986 Scènes de la vie française : Paris
1989 Impromptu
1992 Quiproquo
1995 Bouquets 1-10
1999 Two Pictures
2000 Poppies
2001 Bouquets 21-30
2001 Poppies and Sailboats
2003 L’Invitation au Voyage
2006 Habitat, Batrachian
2007 Cote Jardin
2009 Bouquets 11-20
2010 Sea Salt Flower
2011 Beijing 1988
2011 Nothing Special
2011 Salt Garden
2011 Under the Sun
2012 Sources
2015 Foryannfromrose
2015 Turbulence
2015 foryannfromrose - hair removed
2017 Tartarughe d’acqua
2021 La Source De La Loire
2022 Bouquets 31-40
???? Le dessert
Editor:
1978 Roulement, rouerie, aubage
1979 Certaines Observations
1979 Champ provençal
1979 Couleurs mécaniques
1979 Parcelle
1979 Retour d'un repère
1979 Rue des Teinturiers
1981 Retour d'un repère composé
1982 Les tournesols
1983 Les tournesols colorés
1985 Scènes de la vie française : Arles
1986 Scènes de la vie française : Avignon
1986 Scènes de la vie française : La Ciotat
1986 Scènes de la vie française : Paris
1989 Impromptu
1992 Quiproquo
1995 Bouquets 1-10
1999 Two Pictures
2000 Poppies
2001 Bouquets 21-30
2001 Poppies and Sailboats
2003 L’Invitation au Voyage
2006 Habitat, Batrachian
2007 Cote Jardin
2009 Bouquets 11-20
2010 Sea Salt Flower
2011 Beijing 1988
2011 Nothing Special
2011 Salt Garden
2011 Under the Sun
2012 Sources
2015 Foryannfromrose
2015 Turbulence
2015 foryannfromrose - hair removed
2017 Tartarughe d’acqua
2021 La Source De La Loire
2022 Bouquets 31-40
???? Le dessert
Screenplay:
1978 Roulement, rouerie, aubage
1979 Certaines Observations
1979 Champ provençal
1979 Couleurs mécaniques
1979 Parcelle
1979 Retour d'un repère
1979 Rue des Teinturiers
1981 Retour d'un repère composé
1982 Les tournesols
1983 Les tournesols colorés
1985 Scènes de la vie française : Arles
1986 Scènes de la vie française : Avignon
1986 Scènes de la vie française : La Ciotat
1986 Scènes de la vie française : Paris
1989 Impromptu
1992 Quiproquo
1995 Bouquets 1-10
1999 Two Pictures
2000 Poppies
2001 Bouquets 21-30
2001 Poppies and Sailboats
2003 L’Invitation au Voyage
2006 Habitat, Batrachian
2007 Cote Jardin
2009 Bouquets 11-20
2010 Sea Salt Flower
2011 Beijing 1988
2011 Nothing Special
2011 Salt Garden
2011 Under the Sun
2012 Sources
2015 Foryannfromrose
2015 Turbulence
2015 foryannfromrose - hair removed
2017 Tartarughe d’acqua
2021 La Source De La Loire
2022 Bouquets 31-40
???? Le dessert
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.