A work in constant progress (and occasional regress).
Foley:
2014 Camp Takota
Foley Artist:
2014 Camp Takota
2014 Kepler X-47
Mixing Engineer:
2014 Camp Takota
2014 Kepler X-47
2019 Sunset Park, Warehouse
Sound:
2011 Origin
2014 Camp Takota
2014 Kepler X-47
2019 Sunset Park, Warehouse
2024 Adrift Potentials
2024 Remote Occlusions
Sound Designer:
2011 Origin
2014 Camp Takota
2014 Kepler X-47
2016 Boys
2017 AMERICAN FOLK
2018 Horse Wrangler
2019 Sunset Park, Warehouse
2022 Voices from the Void
2022 Vuja de
2023 Landscapes of Longing
2024 Adrift Potentials
2024 Remote Occlusions
Sound Editor:
2011 Origin
2014 Camp Takota
2014 Kepler X-47
2016 Boys
2017 AMERICAN FOLK
2018 Horse Wrangler
2019 Sunset Park, Warehouse
2022 Voices from the Void
2022 Vuja de
2023 Landscapes of Longing
2023 MiND MY GOOFiNESS: the Self Portrait
2024 Adrift Potentials
2024 Remote Occlusions
Sound Mixer:
2011 Origin
2014 Camp Takota
2014 Kepler X-47
2015 Tabasum
2016 Boys
2016 If You Can't See My Mirrors, I Can't See You
2016 Lazy Daze
2017 AMERICAN FOLK
2017 Hot Dog Hands
2017 It's a Date
2018 Aw Rah Nyoosh
2018 Horse Wrangler
2018 How to Make a Ghost
2019 Driftless
2019 Sunset Park, Warehouse
2020 Just a Small
2020 Lata
2020 Non-Stop
2022 Hello, Bookstore
2022 Voices from the Void
2022 Vuja de
2023 Landscapes of Longing
2023 MiND MY GOOFiNESS: the Self Portrait
2024 Adrift Potentials
2024 Rape Play
2024 Remote Occlusions
???? Ana & Oto
Sound Re-Recording Mixer:
2011 Origin
2014 Camp Takota
2014 Kepler X-47
2015 Tabasum
2016 Boys
2016 If You Can't See My Mirrors, I Can't See You
2016 Lazy Daze
2017 AMERICAN FOLK
2017 Hot Dog Hands
2017 It's a Date
2018 Aw Rah Nyoosh
2018 Horse Wrangler
2018 How to Make a Ghost
2019 Driftless
2019 Sunset Park, Warehouse
2020 Just a Small
2020 Lata
2020 Non-Stop
2022 Hello, Bookstore
2022 Voices from the Void
2022 Vuja de
2023 Landscapes of Longing
2023 MiND MY GOOFiNESS: the Self Portrait
2024 Adrift Potentials
2024 Christmas Eve in Miller’s Point
2024 Rape Play
2024 Remote Occlusions
???? Ana & Oto
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.