A work in constant progress (and occasional regress).
ADR Recordist:
2018 Softness of Bodies
Additional Sound Re-Recordist:
2018 Softness of Bodies
2018 The Legend of Hallowaiian
Assistant Sound Editor:
2015 The Outfield
2017 Tracktown
2018 Softness of Bodies
2018 The Legend of Hallowaiian
Dialogue Editor:
2015 The Outfield
2017 Tracktown
2018 Softness of Bodies
2018 The Legend of Hallowaiian
Foley:
2014 Ironclad 2: Battle for Blood
2015 The Outfield
2017 Tracktown
2018 Softness of Bodies
2018 The Legend of Hallowaiian
Foley Editor:
2014 Ironclad 2: Battle for Blood
2015 The Outfield
2017 Tracktown
2018 Softness of Bodies
2018 The Legend of Hallowaiian
2019 Running with the Devil
Score Engineer:
2014 Ironclad 2: Battle for Blood
2015 The Outfield
2017 Howard Lovecraft & the Undersea Kingdom
2017 Tracktown
2018 Softness of Bodies
2018 The Legend of Hallowaiian
2019 Running with the Devil
Sound:
2014 Ironclad 2: Battle for Blood
2014 Out of Love
2015 The Outfield
2017 Howard Lovecraft & the Undersea Kingdom
2017 Tracktown
2018 Softness of Bodies
2018 The Legend of Hallowaiian
2019 Running with the Devil
Sound Designer:
2014 Ironclad 2: Battle for Blood
2014 Out of Love
2014 Prized
2015 The Outfield
2017 Howard Lovecraft & the Undersea Kingdom
2017 Pretext
2017 Tracktown
2018 Softness of Bodies
2018 The Legend of Hallowaiian
2019 Running with the Devil
Sound Editor:
2012 Angel
2014 Camp Takota
2014 Ironclad 2: Battle for Blood
2014 Out of Love
2014 Prized
2015 The Outfield
2017 Howard Lovecraft & the Undersea Kingdom
2017 Pretext
2017 Tracktown
2018 Softness of Bodies
2018 The Legend of Hallowaiian
2018 Tree House Time Machine
2019 Running with the Devil
2020 Gossamer
???? End of Babes
Sound Effects Editor:
2012 Angel
2013 It Felt Like Love
2014 Camp Takota
2014 Ironclad 2: Battle for Blood
2014 Kepler X-47
2014 Out of Love
2014 Prized
2015 The Outfield
2017 Howard Lovecraft & the Undersea Kingdom
2017 Pretext
2017 Tracktown
2018 Softness of Bodies
2018 The Legend of Hallowaiian
2018 Tree House Time Machine
2019 Olympic Dreams
2019 Running with the Devil
2020 Gossamer
???? End of Babes
Sound Re-Recording Mixer:
2012 Angel
2013 It Felt Like Love
2014 Camp Takota
2014 Ironclad 2: Battle for Blood
2014 Kepler X-47
2014 Out of Love
2014 Prized
2015 The Outfield
2017 Howard Lovecraft & the Undersea Kingdom
2017 Pretext
2017 Tracktown
2018 One of These Days
2018 Softness of Bodies
2018 The Legend of Hallowaiian
2018 Tree House Time Machine
2019 Olympic Dreams
2019 Running with the Devil
2020 Gossamer
???? End of Babes
Supervising Sound Editor:
2012 Angel
2013 It Felt Like Love
2014 Camp Takota
2014 Ironclad 2: Battle for Blood
2014 Kepler X-47
2014 Out of Love
2014 Prized
2015 The Outfield
2016 Wild Prairie Rose
2017 Howard Lovecraft & the Undersea Kingdom
2017 Like Animals
2017 Pretext
2017 Tracktown
2018 Every Act of Life
2018 One of These Days
2018 Softness of Bodies
2018 Tabula Rasa
2018 The Legend of Hallowaiian
2018 Tree House Time Machine
2019 Olympic Dreams
2019 Running with the Devil
2020 Gossamer
???? End of Babes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.