A work in constant progress (and occasional regress).
Co-Executive Producer:
2024 Look Into My Eyes
Director:
2014 The Case Against 8
2024 Look Into My Eyes
Executive Producer:
2014 The Case Against 8
2017 Five Came Back
2017 Gaga: Five Foot Two
2017 Nobody Speak: Trials of the Free Press
2017 One of Us
2017 The Mars Generation
2018 LOGIC: Gray Matters
2018 Seeing Allred
2018 Take Your Pills
2018 The Bleeding Edge
2021 Val
2023 Occupied City
2023 The Deepest Breath
2024 Architecton
2024 Look Into My Eyes
2024 My Mercury
2024 The Sixth
Producer:
2014 The Case Against 8
2017 Five Came Back
2017 Gaga: Five Foot Two
2017 Nobody Speak: Trials of the Free Press
2017 One of Us
2017 The Mars Generation
2018 LOGIC: Gray Matters
2018 Seeing Allred
2018 Take Your Pills
2018 The Bleeding Edge
2019 ReMastered: The Lion's Share
2021 Val
2023 Occupied City
2023 The Deepest Breath
2024 Architecton
2024 Look Into My Eyes
2024 My Mercury
2024 Open Wide
2024 The Sixth
Executive Producer:
2017 Abstract: The Art of Design
2017 The Keepers
2018 Bobby Kennedy for President
2018 Wild Wild Country
2020 Home
2022 Instant Life
2024 STEVE! (martin) a documentary in 2 pieces
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.