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Vivienne Dick

Biography from TheMovieDB

Vivienne Dick is an Irish feminist experimental and documentary filmmaker. Her 2014 fllm, The Irreducible Difference of the Other, acknowledges her longstanding interest in Luce Irigaray. Her early films helped define the No Wave scene.

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Additional information:

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Film Performances

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Film Production

Director:
1978  Guerillere Talks
1978  She Had Her Gun All Ready
1978  Staten Island
1979  Beauty Becomes the Beast
1980  Liberty's Booty
1981  Visibility: Moderate
1983  Like Dawn to Dust
1990  London Suite (Getting Sucked In)
1990  New York Conversations
1990  Two Little Pigeons
1994  A Skinny Little Man Attacked Daddy
2004  Saccade
2015  Red Moon Rising
2017  Augenblick
2020  New York Our Time
????  Felis Catus
????  Rothach
????  The Irreducible Difference of the Other

Writer:
1978  Guerillere Talks
1978  She Had Her Gun All Ready
1978  Staten Island
1979  Beauty Becomes the Beast
1980  Liberty's Booty
1981  Visibility: Moderate
1983  Like Dawn to Dust
1990  London Suite (Getting Sucked In)
1990  New York Conversations
1990  Two Little Pigeons
1994  A Skinny Little Man Attacked Daddy
2004  Saccade
2015  Red Moon Rising
2017  Augenblick
2020  New York Our Time
????  Felis Catus
????  Rothach
????  The Irreducible Difference of the Other

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.