A work in constant progress (and occasional regress).
Alias:
ชนานันต์ โชติรุ่งโรจน์
Birthplace:
Thailand
Chananun Chotrungroj is known for Materna (2020), Don't Come Back from the Moon (2017) and The Edge of Daybreak (2021).
"B" Camera Operator:
2014 Afronauts
Assistant Director:
2011 Our Secret
2014 Afronauts
Camera Operator:
2011 Our Secret
2014 Afronauts
2020 Materna
Director of Photography:
2011 Our Secret
2013 Karaoke Girl
2014 Afronauts
2015 Seide
2016 Collective: Unconscious
2016 Motel Mist
2016 Yosemite
2017 Pop Aye
2019 Don't Come Back from the Moon
2019 The Nearest Human Being
2019 The Third Wife
2019 Transmissions of Unwanted Pasts
2020 Between Shadow and Soul
2020 Materna
2021 The Edge of Daybreak
2022 Three Months
2022 Who Invited Them
2023 Birth/Rebirth
2023 Maxine
2023 Palm Trees and Power Lines
First Assistant Camera:
2011 Our Secret
2013 Karaoke Girl
2014 Afronauts
2015 Seide
2016 Collective: Unconscious
2016 Motel Mist
2016 Porn Without Sex
2016 Yosemite
2017 Pop Aye
2019 Don't Come Back from the Moon
2019 The Nearest Human Being
2019 The Third Wife
2019 Transmissions of Unwanted Pasts
2020 Between Shadow and Soul
2020 Materna
2021 The Edge of Daybreak
2022 Three Months
2022 Who Invited Them
2023 Birth/Rebirth
2023 Maxine
2023 Palm Trees and Power Lines
Still Photographer:
2007 Ploy
2011 Our Secret
2013 Karaoke Girl
2014 Afronauts
2015 Seide
2016 Collective: Unconscious
2016 Motel Mist
2016 Porn Without Sex
2016 Yosemite
2017 Pop Aye
2019 Don't Come Back from the Moon
2019 The Nearest Human Being
2019 The Third Wife
2019 Transmissions of Unwanted Pasts
2020 Between Shadow and Soul
2020 Materna
2021 The Edge of Daybreak
2022 Three Months
2022 Who Invited Them
2023 Birth/Rebirth
2023 Maxine
2023 Palm Trees and Power Lines
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.