A work in constant progress (and occasional regress).
Alias:
Gregory Rogers
Joe Jackson
Joseph A. Jackson
Birthplace:
Winchester, Kentucky, USA
Born:
June 8, 1894
Died:
May 26, 1932
Adaptation:
1930 Dancing Sweeties
1931 50 Million Frenchmen
1931 Safe in Hell
Dialogue:
1928 The Singing Fool
1929 The Redeeming Sin
1930 Dancing Sweeties
1930 Maybe It's Love
1930 The Man from Blankley's
1931 50 Million Frenchmen
1931 Safe in Hell
Screenplay:
1928 Tenderloin
1928 The Singing Fool
1929 The Redeeming Sin
1930 Dancing Sweeties
1930 Maybe It's Love
1930 The Man from Blankley's
1931 50 Million Frenchmen
1931 God's Gift to Women
1931 Safe in Hell
1932 High Pressure
1932 One Way Passage
1932 The Mouthpiece
Title Designer:
1928 Five and Ten Cent Annie
1928 Tenderloin
1928 The Singing Fool
1929 The Redeeming Sin
1930 Dancing Sweeties
1930 Maybe It's Love
1930 The Man from Blankley's
1931 50 Million Frenchmen
1931 God's Gift to Women
1931 Safe in Hell
1932 High Pressure
1932 One Way Passage
1932 The Mouthpiece
Writer:
1927 Husbands for Rent
1927 If I Were Single
1928 Beware of Married Men
1928 Five and Ten Cent Annie
1928 My Man
1928 Pay as You Enter
1928 Powder My Back
1928 Tenderloin
1928 The Barker
1928 The Death Ship
1928 The Singing Fool
1929 In the Headlines
1929 Is Everybody Happy?
1929 The Redeeming Sin
1930 Dancing Sweeties
1930 Mammy
1930 Man to Man
1930 Maybe It's Love
1930 Oh, Sailor, Behave!
1930 Second Choice
1930 The Man from Blankley's
1930 The Second Floor Mystery
1930 Those Who Dance
1931 50 Million Frenchmen
1931 God's Gift to Women
1931 Safe in Hell
1931 Smart Money
1932 Beauty and the Boss
1932 High Pressure
1932 One Way Passage
1932 The Dark Horse
1932 The Mouthpiece
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.