A work in constant progress (and occasional regress).
Alias:
Nadezhda Kosheverova
Н. Кошеверова
Надежда Кошеверова
Birthplace:
Saint Petersburg, Russia
Born:
September 23, 1902
Died:
February 22, 1989
Film director Nadezhda Kosheverova is mostly famous for her fascinating fairy tale movies, which have become classics of the Russian cinema. Nadezhda Nikolaevna Kosheverova was born in Saint Petersburg on September 23rd (Gregorian Calendar), 1902. In 1923 she graduated Actor's School at Petrograd Theater Free comedy and till 1928 performed as an actress on stages of Leningrad theaters, including the N. P. Akimov Leningrad Theater of Satire. The future film director also studied at the film studio of the Factory of Eccentric Actor from 1925 to 1928. Since 1929 Nadezhda Kosheverova worked at Lenfilm, where she started her career as the assistant of the film director Maxim Trilogy. She made her first debut as a director with the film Once in Autumn (Odnazhdy Osen’y) in 1937; the work has not been preserved, unfortunately. She gained her first success after the release of the lyrical comedy Arinka (1940) co-directed by her jointly with Yuri Muzykant in 1939. Before the beginning of the Second World War, the young film director managed to create a feature film about the Finnish war Galya, which was banned by the censor. For the first time Nadezhda Kosheverova resorted to the fairy tale genre, destined to become her major creative direction, in 1944. Her debut in this genre was the musical film Cherevichki based on Tchaikovsky’s opera with the same name and co-directed with Mikhail Shapiro. Her film Cinderella (Zolushka), released in 1947, was a wild success thanks to the brilliant scenario by Yevgeni Shvarts, design by Nikolai Akimov, and perfectly accurate casting brought the fairy tale recognition among spectators and critics. Continuing her work as a comedy dramatist with Captive Driver (Shofyor ponevole, 1958) and Be Careful, Grandma! (Ostorozhno, babushka!, 1960) Kosheverova tried to remain true to her favourite genre of the traditional children’s magic fairy tale. In 1968 Kosheverova released one of her best and most famous fairy tales - A Very Old Story (Staraya, staraya skazka) starring splendid Oleg Dal and the then unknown Marina Neyolova. Oleg Dal nicknamed Kosheverova “Kurosavochka” and later always agreed to play in her fairy tales. Fairy Tale about Enamoured House Painter (1987) became her last work as a film director. Nadezhda Kosheverova died in Moscow on February, 22nd 1989 and was laid to rest at the cemetery near Komarovo Settlement in the suburbs of Leningrad (now Saint Petersburg).
Assistant Director:
1935 The Youth of Maxim
1937 The Return of Maxim
1939 The Vyborg Side
Director:
1935 The Youth of Maxim
1937 The Return of Maxim
1939 Arinka
1939 The Vyborg Side
1940 Galya
1945 The Slippers
1947 Cinderella
1953 Shadows
1953 Весна в Москве
1954 Tiger Girl
1956 Honeymoon
1958 Driver Involuntarily
1961 Be Careful, Grandma!
1963 Cain the XVIII-th
1966 New Attraction Today
1968 A Very Old Story
1971 Ten
1974 Царевич Проша
1977 How Ivanushka the Fool Travelled in Search of Wonder
1980 The Nightingale
1982 Donkey's Hide
1984 And Then Came Bumbo...
1987 The Tale About the Enamored Painter
Screenplay:
1935 The Youth of Maxim
1937 The Return of Maxim
1939 Arinka
1939 The Vyborg Side
1940 Galya
1945 The Slippers
1947 Cinderella
1953 Shadows
1953 Весна в Москве
1954 Tiger Girl
1956 Honeymoon
1958 Driver Involuntarily
1961 Be Careful, Grandma!
1963 Cain the XVIII-th
1966 New Attraction Today
1968 A Very Old Story
1971 Ten
1974 Царевич Проша
1977 How Ivanushka the Fool Travelled in Search of Wonder
1980 The Nightingale
1982 Donkey's Hide
1984 And Then Came Bumbo...
1987 The Tale About the Enamored Painter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.