A work in constant progress (and occasional regress).
Birthplace:
Dax, Landes, France
Born:
March 27, 1950
Martin Veyron (born 27 March 1950 in Dax, Landes, France) is a French comic book author and novelist, best known for his graphic novels and editorial cartoons. His style combines disenchanted vaudeville and scathing studies of mores in the manner of Gérard Lauzier. Veyron graduated from the Collège Stanislas de Paris. In 1975, he founded the Imaginon studio with Jean-Claude Denis and Caroline Dillard. He published his first illustrations in Lui, L'Expansion, and Cosmopolitan. His first comics date from 1977, when he wrote Edmond le cochon (drawn by Jean-Marc Rochette) for L'Écho des savanes. He wrote Raoul et Remy for Pilote in 1978 and Olivier Désmoreaux (under the pseudonym Richard de Muzillac) in 1984. His works were published by Éditions du Fromage at Casterman and Éditions Albin Michel. Many of his cartoons were published in newspapers such as Libération, Paris Match, L'Obs, and L'Événement du jeudi. In 1985 he made a film from his graphic novel L'Amour propre. He published his first novel, Tremolo Corazon, in 1996. Veyron received the Grand Prix of Angoulême International Comics Festival in 2001 and presided the jury in 2002. He is married to Anne Chabrol, a former reporter from the war in Northern Ireland and a former director of magazines Elle, Glamour and Cosmopolitan. He has two sons. Source: Article "Martin Veyron" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.